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LOST AND FOUND DUCKLINGS

This easy-to-follow-along tale with its happy-family ending will make for a great bedtime story.

When Brother Duck and Sister Duck receive a gift of butterfly nets, the siblings go against Mama and Papa Duck’s wishes and wander off into the woods, lost in the chase to catch any small critter that crosses their path.

When nightfall suddenly catches the ducklings in the middle of the forest and the reality of being lost hits the ducklings, their cries are heard by Ms. Owl, who gathers the forest animals to call out for Mama and Papa Duck. The illustrations depict a comical, lively character ensemble of distinct personalities. One after another, each animal howls out their unique distress call: Ms. Wolf’s “piercing howl,” Mr. Moose’s “earthshaking bellow,” Ms. Fox’s “shrill scream,” and Mr. Bear’s “fierce growl.” Eventually, it is the combination of simultaneous animal screeching that leads the Duck parents to their lost ducklings, who send up their own peeps into the night. At the end, the Duck parents deny hearing all of the other animals that helped the ducklings, confessing to only hearing their ducklings’ “sweet peep-peep-peep” amid the noise. Gorbachev’s friendly cartoons depict clothed, anthropomorphic forest animals, the ducklings’ urgent body language instantly recognizable. The animals’ vocalizations will make for rousing read-alouds.

This easy-to-follow-along tale with its happy-family ending will make for a great bedtime story. (Picture book. 3-6)

Pub Date: Feb. 12, 2019

ISBN: 978-0-8234-4107-5

Page Count: 32

Publisher: Holiday House

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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DIGGERSAURS

Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...

Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.

The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.

Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)

Pub Date: April 2, 2019

ISBN: 978-1-9848-4779-9

Page Count: 32

Publisher: Random House

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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