Tender and often raw, this moody novel is a complex tale of friendship wrapped around a mystery.
A decades-old mystery comes back to haunt four childhood friends in this dark contemplation on growing up and apart.
Set in La Comelle, a small French town, the novel centers on three close friends in the 1980s and ’90s. Nina, Adrien, and Étienne meet in the fifth grade when they’re all assigned to the same dreaded teacher, and they quickly become inseparable. Through adolescence and into their late teen years, the group sees each other through the highs and lows of growing up. Virginie, a classmate, wants to be friends with them as well, but she’s always aware of the difference between the relationship they have with each other and the relationship she has with them. But by the time Virginie, now a journalist, moves back to La Comelle in the late 2010s, the three have largely lost touch. That changes when a submerged car is found in the lake where they once spent time together, a discovery that seems connected to the 1994 disappearance of an 18-year-old girl that haunts the four of them. While the mystery of the car and what it might contain is thrilling and heartbreaking, the real power of this work, translated from the French by Serle, is in the way Perrin captures the experience of growing up and the myriad ways Nina, Adrien, and Étienne give each other a place of safety—even as they are capable of inflicting great pain on others. While readers may want to know more about Virginie, her distance from the center of the story is fitting for the in-group, out-group tension that drives an underlying darkness from the very beginning.
Tender and often raw, this moody novel is a complex tale of friendship wrapped around a mystery.Pub Date: June 7, 2022
ISBN: 978-1-60945-755-6
Page Count: 512
Publisher: Europa Editions
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
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