by Van Ho & Marsha Forchuk Skrypuch ‧ RELEASE DATE: Nov. 2, 2018
This illuminating chapter book respects an often overlooked demographic, providing transitioning readers a truthful yet...
When 4-year-old Van wakes one morning in her home in Ho Chi Minh City, Vietnam, her mother and siblings are gone. They have fled the country without a word, leaving a heartsick Van and her grandmother behind.
The year is 1981. The communists are in power, and Van’s family has not only lost everything, but has come under suspicion for helping the Americans during the Vietnam War. Bà Ngoai, Van’s grandmother, explains that the journey to find Van’s father and oldest sister in Canada was too dangerous for little Van, but she will be reunited with them someday. With simple but engaging language, Skrypuch (The War Below, 2018, etc.) recounts Van Ho’s true story of her lonely and hard life in Vietnam during the years she was separated from her family. Skrypuch offers readers myriad opportunities to identify with Van, who navigates school, friendship, bullying, and poverty, while also giving them insight into less-common American experiences such as political oppression and asylum. The story covers four years of Van’s life, including her reunion with parents and siblings in Canada and the immediate culture shock of arriving. Endmatter (photographs and interviews with other family members) provides more context and emotional insight. The book is labeled nonfiction, but Skrypuch’s author’s note describes the process of filling in gaps in the adult Ho’s memories of her decades-old trauma.
This illuminating chapter book respects an often overlooked demographic, providing transitioning readers a truthful yet age-appropriate introduction to big issues that still affect people to this day. (Historical fiction. 7-11)Pub Date: Nov. 2, 2018
ISBN: 978-1-77278-066-6
Page Count: 152
Publisher: Pajama Press
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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by Natalie Babbitt ‧ RELEASE DATE: Nov. 1, 1975
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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by Valerie Worth & illustrated by Natalie Babbitt
by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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