A 21st-century immigrant story that, while intermittently intriguing, falls short of its potential.
A pregnant Chinese woman goes on the run in America to escape her controlling ex.
Scarlett never imagined she would find herself somewhere like Perfume Bay, a posh private accommodation for expectant Chinese mothers in Los Angeles. But when she gets pregnant with her boss’s baby, and that baby turns out to be a boy, everything in her life changes in an instant. Boss Yeung will take no risks with the son he’s always dreamed of…even if that son is illegitimate. Scarlett, who is used to working in factories and fending for herself, is not prepared for life among the pampered women at Perfume Bay who have come to America to secure citizenship for their children. When she finds out that Boss Yeung wants to pay her to give her baby up to his legitimate family, she finally decides to take her life back into her own hands and escape the claustrophobic Perfume Bay. But she doesn’t anticipate being accompanied by Daisy, a spunky and occasionally obnoxious teenager whose parents sent her away when she got pregnant with her beloved boyfriend’s baby. The two women escape north to San Francisco’s Chinatown neighborhood, where they scrounge together food and money for themselves and their newborns—all while Boss Yeung gets closer and closer to tracking Scarlett down. This debut novel from Hua, who has previously published a collection of short stories (Deceit and Other Possibilities, 2016), paints a vivid picture of Scarlett and Daisy’s unromantic and occasionally squalid, but nevertheless vibrant, life in Chinatown. Scarlett’s fear of being discovered by Boss Yeung never fully dissipates, but it is ultimately overtaken by her fear of being discovered by American authorities who could deport her, and her constant paranoia is palpable. Unfortunately, the novel never fully capitalizes on its strengths. Boss Yeung’s narrative is tedious, and Scarlett’s lacks momentum. And the novel’s saccharine ending undercuts its atmospheric successes.
A 21st-century immigrant story that, while intermittently intriguing, falls short of its potential.Pub Date: April 14, 2018
ISBN: 978-0-399-17878-8
Page Count: 304
Publisher: Ballantine
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
BOOK REVIEW
BOOK REVIEW
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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