Fans of Regency romances and stories of strong Black women will find Haiti’s Queen Marie-Louise irresistible.
Haiti's only queen gets the royal treatment in this novel of race, revolution, and female resistance.
Like Netflix’s glittering take on the Bridgerton novels, this provocative story spotlights Black aristocrats navigating the class system and color lines during the Regency era. Riley, who also wrote about indomitable women and the Haitian Revolution in Sister Mother Warrior (2022), applies her talent for creating compelling, history-inspired characters to the story of Marie-Louise Christophe, crowned queen of Haiti in 1810 following the Haitian Revolution. For 10 years, she and her husband, King Henry I, rule the Northern Hemisphere’s only free Black nation until their kingdom is overthrown and Henry commits suicide. Marie-Louise and her two daughters take the family jewels and flee to England, where they hope to live in comfort as royal refugees. Against the backdrop of Haiti’s tumultuous history and the growing global disgust with slavery, Riley unfurls Marie-Louise's story in a languid and captivating style as the exiled queen reclaims her family’s vast fortune, tirelessly protects her daughters, and champions her husband's legacy. In flashback chapters set in Haiti, Riley contrasts Henry’s obsession with power and wealth with Marie-Louise's sensible focus on doing what's best for the Haitian people. In exile in England and on the European continent, Riley’s engaging characters pull us into the world of privileged royals, their stately homes, breathtaking wealth, and, deliciously, their romances and illicit affairs. Acutely aware of the challenges facing a Black queen, Riley deftly builds a portrait of a proud woman who commits her life to showing the world “that it was possible to be royal, Black, and have a happily-ever-after life.”
Fans of Regency romances and stories of strong Black women will find Haiti’s Queen Marie-Louise irresistible.Pub Date: July 11, 2023
ISBN: 9780063270992
Page Count: 448
Publisher: Morrow/HarperCollins
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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