A haunting short story collection from the author of The Immortal King Rao (2022), a finalist for the Pulitzer Prize in fiction.
In “The Irates,” a girl grieving the death of her brother tries to work at a Seattle phone sex hotline. “I, Buffalo” follows a high-achieving woman, recently fired from her law firm and struggling with substance abuse, who tries to be a good aunt. The protagonist of “This Is Salvaged” is an experimental artist who attempts to construct a replica of Noah’s Ark in Seattle with the help of a group of men from a Christian homeless shelter. In “You Are Not Alone,” a girl celebrating her eighth birthday meets her father’s new wife in the Orlando airport. The prose in this wide-ranging collection flows seamlessly, one rhythmic sentence after another. The stories range in perspective, going from an intimate first person to a distant third person that only identifies the protagonist as “the girl.” Some stories are formally inventive. “Unknown Unknowns,” the shortest inclusion, is a five-paragraph sketch of a woman’s relationship with her son and a meditation on truths and untruths. “The Hormone Hypothesis” unfolds primarily as a conversation between two women. “The Eighteen Girls” tells a tragic story of sisterhood and loss through segments ostensibly about different girls (“the first girl,” “the second girl,” etc.). Motifs reemerge across the collection’s pages: repellant parts of the body (sweat and dried up dead skin), girlhood, divorce, faith. If the collection could be said to have a theme, it would be human relationships: those between best friends, aunts and nieces, lovers, mothers and sons, sisters, daughters and fathers. Although many of the stories dwell in the realm of alienation, they generally end on a note of redemption, however small. The reader emerges from these stories contemplative but not pessimistic.
A poignant collection of stories that glimpse the salvation of human connection in the midst of modern alienation.