Linguistically rich, Khoury-Ghata’s novel seems only partially complete.
A poetic novel about a Jewish girl meant to marry the Emir.
When “the scrawny old man riding a donkey” appears between two sand dunes, Yudah is disappointed. She’d imagined the rabbi would have “a potbelly like all well-fed men, with perhaps one or two gold teeth to taunt the sun.” Still, after the rabbi inspects all the tribe’s eligible girls and chooses Yudah as a bride for Emir Abdelkader, she goes with him to the city. She’s soon disappointed: The rabbi’s plan to ingratiate the Jews with the Muslim leader quickly falls apart. Khoury-Ghata’s latest book to appear in English is lyrical and slim and apparently based on a little-known figure from history. Yudah makes for a compelling heroine. When she arrives at his tents, Abdelkader is away at war. He is soon banished from Algeria to the port of Toulon with his wives, while his followers—and Yudah—are sent to Île Sainte-Marguerite. From there, Yudah’s adventures only multiply. Still, Khoury-Ghata’s emphasis is less on plot than on language, which has been beautifully rendered into English by Fagan. On Île Sainte-Marguerite, for example, where Abdelkader’s followers are scared, sick, and starving—and suspicious of Yudah—“an old woman saw Abdelkader in a dream arriving in three signs, three days, or three weeks to take them home. He was riding the waves and the waves flattened as he went over them. He brought back everyone, except the girl who claimed to be his future wife.” Still, despite the lyricism and Yudah’s compelling story, Khoury-Ghata’s book lacks something—some depth or rich entanglement. A late-stage appearance by Victor Hugo strains credulity even though it is apparently based in fact. This is a lovely book but not, in the end, a great one.
Linguistically rich, Khoury-Ghata’s novel seems only partially complete.Pub Date: Nov. 5, 2023
ISBN: 9781803092447
Page Count: 184
Publisher: Seagull Books
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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