by Vera Greentea ; illustrated by Laura Müller ‧ RELEASE DATE: May 11, 2021
This exuberant, beautifully crafted tale introduces Mexico’s Day of the Dead to young adventure fans.
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Mexican children try to help a forgotten spirit reunite with her family in this middle-grade graphic novel.
In Mexico, the Day of the Dead celebrates the notion that “a person hasn’t truly died until that person is forgotten.” As the festival begins, a woman in skull makeup finds a boy sleeping in an alley among the trash. This is Jonah, whom she challenges to learn the difference between the living and the dead. She leaves him with the cryptic phrase “Wednesday’s child is full of woe.” Elsewhere in the city, a young woman named Nena plays hide-and-seek with a young man named Bastian. When he finds her, she offers to show him a secret. She leads him to a crypt full of skulls. By candlelight, he soon sees that she is also one of the dead. Earlier, a girl named Violetta tells her friends Daphne and Marguerite that on the Day of the Dead, the shroud between the worlds of the living and the dead is at its thinnest. The trio sneaks into a graveyard to light a candle and invite a forgotten spirit across the shroud. When they succeed, the spirit—who turns out to be Nena—says: “I find myself in requirement of a soul to continue building the rest of my body.” With the help of local priest Father Eduardo and Violetta’s brother, Eli, can the children discover who might remember the spirit of Nena? Greentea, with vibrant art by Müller, offers a spooky but emotionally bright middle-grade adventure. Fun motifs, like abandoned doll factories and single red balloons, pay homage to the horror genre. Witty moments that will shine for adult readers include Eli calling the skull-painted woman a “crackpot” only to receive her glare. Warm art, with almost no hard, black outlines, feels like a bridge to Disney films from the Lilo & Stitch (2002) era, prior to fully digital animation. Sharp-eyed readers should see clever narrative clues along the way, as when Nena’s foot briefly appears skeletal. Her red dress, like the balloon, spurs the audience toward a delightful solution to the problem faced by more than one character. Middle-grade readers will likely want to learn more about other cultures after this romp.
This exuberant, beautifully crafted tale introduces Mexico’s Day of the Dead to young adventure fans.Pub Date: May 11, 2021
ISBN: 978-0-9996112-6-5
Page Count: 88
Publisher: Greentea Publishing
Review Posted Online: June 17, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Review Program: Kirkus Indie
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PERSPECTIVES
by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: April 1, 2023
This frenetic ode to fatherhood is predictable fare but may please series fans.
It’s time to look for the elusive Daddysaurus.
In this latest installment in the seemingly never-ending series about a group of diverse kids attempting to trap mythical creatures, the youngsters are now on the lookout for a big mauve dinosaur with an emblazoned D on his stomach and a superhero cape. The fast-moving Daddysaurus is always on the go; he will be difficult to catch. Armed with blueprints of possible ideas, the kids decide which traps to set. As in previous works, ones of the sticky variety seem popular. They cover barbells with fly paper (Daddysaurus like to exercise) and spread glue on the handle of a shovel (Daddysaurus also likes to garden). One clever trick involves tempting Daddysaurus with a drawing of a hole, taped to the wall, because he fixes everything that breaks. Daddysaurus is certainly engaged in the children’s lives, not a workaholic or absent, but he does fall into some standard tropes associated with fathers. The rhyming quatrains stumble at times but for the most part bounce along. Overall, though, text and art feel somewhat formulaic and likely will tempt only devotees of the series. The final page of the book (after Daddysaurus is caught with love) has a space for readers to write a note or draw a picture of their own Daddysaurus. (This book was reviewed digitally.)
This frenetic ode to fatherhood is predictable fare but may please series fans. (Picture book. 4-8)Pub Date: April 1, 2023
ISBN: 978-1-72826-618-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
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by Alice Schertle ; illustrated by Jill McElmurry ‧ RELEASE DATE: Sept. 23, 2014
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...
The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.
The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)Pub Date: Sept. 23, 2014
ISBN: 978-0-544-32041-3
Page Count: 24
Publisher: HMH Books
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
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