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WHAT IF YOUR BEST FRIEND WERE BLUE?

Name: WHAT IF YOUR BEST FRIEND WERE BLUE?
Author: Vera Kochan
ISBN: 978-0-7614-5897-5

by Vera Kochan & illustrated by Viviana Garofoli ‧ RELEASE DATE: Sept. 1, 2011

A big miss.

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This simple picture book is intended to teach both color awareness—of shades such as blue, green and yellow—and color-blindness in terms of skin tones. It doesn’t work.

The book begins by asking, “What if your best friend were blue?” The child narrator answers, “Even if my best friend were blue, he’d still play soccer with me.” The nominal dialogue continues: “What if a policewoman were green?” “Even if a policewoman were green, she’d still help me find my mom and dad.” The book continues exactly like this, featuring a yellow doctor, a purple fireman, a red teacher and an orange babysitter. The intended message of this title is highjacked by two little words, repeated again and again: “even if.” This phrase, suggesting as it does that a best friend would still play soccer despite his blue-ness and the policewoman still provide a helping hand despite her green-ness, does not undermine homogeneity, but rather confirms whiteness as humankind’s default skin color. Further contributing to this notion is the fact that the main character is white, as are all the other adults and children who are not being used to demonstrate a particular color; skin tones aside from white that actually show up in the real world are absent entirely. Even the lessons in identifying colors fall apart here. The policewoman who is supposed to be green actually first appears as an off-putting shade of yellow.

A big miss. (Picture book. 4-8)

Pub Date: Sept. 1, 2011

ISBN: 978-0-7614-5897-5

Page Count: 24

Publisher: Marshall Cavendish

Review Posted Online: Aug. 2, 2011

Kirkus Reviews Issue: Aug. 15, 2011

Categories:

CHILDREN'S SOCIAL THEMES

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024

Too cute to be spooky indeed but most certainly sweet.

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A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)