Timely, moving, and necessary.
An illustrated introduction to many women of color and queer women responsible for voting rights in America.
Beginning with the Haudenosaunee Confederacy, whose historic territory was the site of the Seneca Falls convention, and ending with Dakota Sioux activist Zitkála-Šá, this friendly primer highlights the lesser-known heroes whose fight for their right to vote did not end with the ratification of the 19th Amendment. Chambers and her co-authors from the New York Times strike an authoritative yet colloquial tone: “[T]here are tons of women beyond Susan [B. Anthony] and Elizabeth [Cady Stanton]’s demographic who helped make suffrage a reality for all women,” they write. Well-chosen quotes and engaging biographical information about such activists as Frances Ellen Watkins Harper, Mary McLeod Bethune, Angelina Weld Grimké, Mabel Ping-hua Lee, and Jovita Idár are interspersed with trenchant observations from contemporary women working in service to their ancestors’ ideals, including Louise Herne, Charlotte Brooks, and Vilma Martínez. White and straight women are supporting characters, either as allies or barriers. Ornate, colorful page layouts also include playful doodles, at times somewhat distractingly atop historial images. Stories like that of Susette La Flesche Tibbles, who had to stand up to several White government officials before she could become the first Native woman to teach on her reservation, emphasize the theme that rights require constant advocacy.
Timely, moving, and necessary. (authors’ note, minibiographies, timeline, statistics, acknowledgements, further reading, bibliography, index) (Collective biography. 8-14)Pub Date: Aug. 18, 2020
ISBN: 978-0-358-40830-7
Page Count: 128
Publisher: Versify/HMH
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A breezy, bustling bucketful of courageous acts and eye-popping feats.
Why should grown-ups get all the historical, scientific, athletic, cinematic, and artistic glory?
Choosing exemplars from both past and present, Mitchell includes but goes well beyond Alexander the Great, Anne Frank, and like usual suspects to introduce a host of lesser-known luminaries. These include Shapur II, who was formally crowned king of Persia before he was born, Indian dancer/professional architect Sheila Sri Prakash, transgender spokesperson Jazz Jennings, inventor Param Jaggi, and an international host of other teen or preteen activists and prodigies. The individual portraits range from one paragraph to several pages in length, and they are interspersed with group tributes to, for instance, the Nazi-resisting “Swingkinder,” the striking New York City newsboys, and the marchers of the Birmingham Children’s Crusade. Mitchell even offers would-be villains a role model in Elagabalus, “boy emperor of Rome,” though she notes that he, at least, came to an awful end: “Then, then! They dumped his remains in the Tiber River, to be nommed by fish for all eternity.” The entries are arranged in no evident order, and though the backmatter includes multiple booklists, a personality quiz, a glossary, and even a quick Braille primer (with Braille jokes to decode), there is no index. Still, for readers whose fires need lighting, there’s motivational kindling on nearly every page.
A breezy, bustling bucketful of courageous acts and eye-popping feats. (finished illustrations not seen) (Collective biography. 10-13)Pub Date: May 10, 2016
ISBN: 978-0-14-751813-2
Page Count: 320
Publisher: Puffin
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
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