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QUEEN BEY

A CELEBRATION OF THE POWER AND CREATIVITY OF BEYONCÉ KNOWLES-CARTER

An uplifting and resounding ovation.

A diverse chorus of voices praises the acclaimed songstress and cultural icon.

Chambers (The Go-Between, 2017, etc.), the editor of the New York Times archival storytelling team, who, in addition to her own books, has co-authored books by Michael Strahan, Timbaland, Robin Roberts, Eric Ripert, and Marcus Samuelsson, collects essays from distinguished professionals in entertainment, media, and social activism. In an introduction celebrating the “fire in her belly, the almost otherworldly level of focus and ambition in her eyes,” Chambers lauds Beyoncé’s “soundtrack of power and possibility,” which buoyed the editor through unexpected life changes. Nigerian author and speaker Luvvie Ajayi rhapsodizes over the singer’s immense cultural influence and celebrates her memorable, career-defining performance at the 2018 Coachella Festival. Data journalist Meredith Broussard’s graphic biography of “Bey” vividly combines art and geographical statistics. The perspectives Chambers assembles are delightfully manifold and aptly representative of Beyoncé as a veteran entertainer and an influential cultural icon transcending age and social status. YouTube sensation Kid Fury commends Beyoncé on how much her inclusive productions have consistently impacted the gay community. Other contributors examine Beyoncé’s referential, allusive artistry, her evolving feminism, her Instagram account, and career comparisons to the upper echelon of female rappers, and there are fair-minded criticisms of her “Formation” and “Lemonade” albums. Collectively, these well-balanced essays amplify the popularity and reach of Beyoncé’s music and persona across generations of women (and men). The anthology closes with award-winning journalist Caroline Clarke attesting that while perfectionism can be a common trap for girls, when it is applied to superstars like Beyoncé, it makes her “a pretty damn good role model for my daughter or anyone, including me.” With such a dynamic ensemble of opinions and reflections, the collection will be sweet reading not just for Beyoncé’s superfans, but also for activists, feminists, and budding vocalists.

An uplifting and resounding ovation.

Pub Date: March 5, 2019

ISBN: 978-1-250-20052-5

Page Count: 240

Publisher: St. Martin's

Review Posted Online: Dec. 8, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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