by Veronica Chambers ‧ RELEASE DATE: March 1, 2001
In this stand-alone sequel to Marisol & Magdalena (not reviewed), Marisol has returned from her sojourn to Panama City and is once again inseparable from her best friend, Magda. At the beginning of their freshman year, the two girls, now 14, are planning their quinceañera a celebration of their 15th birthdays. For Marisol, planning a quinceañera is more like a daydream since she and her single mother have little to spend on an extravagant party. More disappointments ensue for Marisol when her mother starts to date a man who insists on calling her pet names like "Marisolita"; she continues to miss the father who abandoned her; and Magda drops their friendship when she takes up with new friends who shoplift and find Marisol uncool. Despite these hardships, like Cinderella, Marisol goes to her party with the help of family, friends, and neighbors, and has a charming new beau by her side. Chambers uses the quinceañera and family traditions to introduce Latin American heritage and the concept of community. Marisol also explores what it means to be a Latina, which she finds is a term applied loosely to encompass diverse Hispanic backgrounds. Young female readers will marvel at the details of Marisol's quinceañera and will cheer Marisol on, as her special evening becomes a fairy tale come true. (Fiction. 11-13)
Pub Date: March 1, 2001
ISBN: 0-7868-0497-1
Page Count: 192
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
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More by Veronica Chambers
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edited by Veronica Chambers
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by Donna Brazile & Yolanda Caraway & Leah Daughtry & Minyon Moore with Veronica Chambers
adapted by Charlotte Craft ‧ RELEASE DATE: April 1, 1999
PLB 0-688-13166-2 King Midas And The Golden Touch ($16.00; PLB $15.63; Apr.; 32 pp.; 0-688-13165-4; PLB 0-688-13166-2): The familiar tale of King Midas gets the golden touch in the hands of Craft and Craft (Cupid and Psyche, 1996). The author takes her inspiration from Nathaniel Hawthorne’s retelling, capturing the essence of the tale with the use of pithy dialogue and colorful description. Enchanting in their own right, the illustrations summon the Middle Ages as a setting, and incorporate colors so lavish that when they are lost to the uniform gold spurred by King Midas’s touch, the point of the story is further burnished. (Picture book. 7-9)
Pub Date: April 1, 1999
ISBN: 0-688-13165-4
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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adapted by Lise Lunge-Larsen & Margi Preus ‧ RELEASE DATE: March 1, 1999
Lunge-Larsen and Preus debut with this story of a flower that blooms for the first time to commemorate the uncommon courage of a girl who saves her people from illness. The girl, an Ojibwe of the northern woodlands, knows she must journey to the next village to get the healing herb, mash-ki- ki, for her people, who have all fallen ill. After lining her moccasins with rabbit fur, she braves a raging snowstorm and crosses a dark frozen lake to reach the village. Then, rather than wait for morning, she sets out for home while the villagers sleep. When she loses her moccasins in the deep snow, her bare feet are cut by icy shards, and bleed with every step until she reaches her home. The next spring beautiful lady slippers bloom from the place where her moccasins were lost, and from every spot her injured feet touched. Drawing on Ojibwe sources, the authors of this fluid retelling have peppered the tale with native words and have used traditional elements, e.g., giving voice to the forces of nature. The accompanying watercolors, with flowing lines, jewel tones, and decorative motifs, give stately credence to the story’s iconic aspects. (Picture book/folklore. 4-8)
Pub Date: March 1, 1999
ISBN: 0-395-90512-5
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1999
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