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OUTSPOKEN

WHY WOMEN'S VOICES GET SILENCED AND HOW TO SET THEM FREE

A practical and fascinating guide to liberating the female voice as a key to liberating the self.

A radio personality, communications coach, and trained opera singer convincingly argues that learning to use their voices properly will take women surprisingly far.

In her debut book, grounded in her own experience and her work with others, Peabody-winning communications specialist Rueckert makes her case clearly and concisely, drawing on sound research without becoming bogged down in it. The author begins by telling readers how to start from wherever they are with their voice and make it bigger and better. Then she moves on to social and business situations in which that voice might be suppressed. On the physical level, Rueckert goes through the mechanics of the breathing process and advises women not just to learn to breathe more fully (no Spanx), but to take up more space, emulating the “manspreaders” who have taken up their fair share. She considers the pros and cons of the politically fraught question of whether women should modulate their voices to please others, and she suggests ways to raise girls who are comfortable speaking out loud and in public. On the social level, the author covers the many ways in which women are silenced by men interrupting them and by the pressure to be “the good, quiet girl,” and she offers techniques on how to avoid being interrupted and how to interrupt a conversation—or monologue—successfully. Most of the chapters culminate with a list of exercises—how to transcend “cubicle voice” by lying on your back with a book the size of a “Nordic cooking compendium” on your belly and project: “Don’t push from the throat but from the lower abdomen, the seat of vocal power.” Rueckert's own literary voice is encouraging, supportive, and cheerful, and it's hard to imagine anyone who wouldn't benefit from her advice. In a sea of self-help books for women, this one stands out both for its unique perspective and its concrete recommendations.

A practical and fascinating guide to liberating the female voice as a key to liberating the self.

Pub Date: July 2, 2019

ISBN: 978-0-06-287934-9

Page Count: 240

Publisher: Harper Business

Review Posted Online: May 21, 2019

Kirkus Reviews Issue: June 15, 2019

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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