With firsthand knowledge, diligent research, and colorful prose, Valosik provides an engaging, energetic history.
The long path to female equality has involved many byways, and one of them has been in the pool.
Valosik is editorial director at Georgetown’s School of Foreign Service, and she is also a masters synchronized swimmer, so she is well situated to tell the story of women swimmers from the late 19th century to the present. Swimming for women first became popular in Britain in the mid-late 1800s, and several women became famous in vaudeville acts. Some moved to the U.S. and attracted huge crowds. An Australian woman called Annette Kellerman became famous for acrobatic swimming but was also a strong voice in the drive for equal rights. There were popular group performances in the string of world fairs in the 1930s, although the key evolutionary step was adding music, which set synchronized swimming apart from other forms. Many male commentators were dismissive, partly because they did not understand the demands of it and partly out of straightforward sexism. However, as the author shows, Hollywood saw the potential, especially with the emergence of Esther Williams, a former swimming champion. She invented many of the crucial moves, and the aqua-ballet movies in which she starred became more and more spectacular. Williams, hugely popular in her heyday, demonstrated the capability of women, a critical issue when most women were confined to the home. Synchronized swimming was finally acknowledged as an Olympic sport in 1984 (the publication of this book marks its 40th anniversary). Valosik notes that the sport has recently become even more difficult, requiring feats that are increasingly complex and dangerous. Throughout this fascinating narrative, the author emphasizes the necessary blend of physicality, creativity, and grace, making readers want to pay special attention to the sport in the forthcoming Paris Olympics.
With firsthand knowledge, diligent research, and colorful prose, Valosik provides an engaging, energetic history.Pub Date: June 25, 2024
ISBN: 9781324093046
Page Count: 368
Publisher: Liveright/Norton
Review Posted Online: March 20, 2024
Kirkus Reviews Issue: April 15, 2024
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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