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THE LIVES OF DANIELLE STEEL

Name: THE LIVES OF DANIELLE STEEL
Author: Vickie Bane
ISBN: 0-312-11257-2

THE UNAUTHORIZED BIOGRAPHY OF THE WORLD'S BESTSELLING AUTHOR

by Vickie Bane & Lorenzo Benet ‧ RELEASE DATE: Oct. 1, 1994

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Danielle's dirty linen. A lot of this unauthorized biography is about legal wrangling, much of it to do with child custody. It's a good story, but Steel could have told it better. Bane and Benet, People magazine staff reporters, follow up on their Steel exposÇ of 1992 (written with Paula Chin) with this book cobbled together from interviews, court depositions, and letters Steel wrote to her second husband, Danny Zugelder (most while he was in prison). Heaven knows Steel's life is more than the stuff of romance. She was a neglected child. When she was hospitalized with ovarian cancer at 16, her parents never visited her. She married two convicts: Zugelder, a car thief and bank robber, who was also jailed for assault and rape (they were married in a prison ceremony and consummated their relationship in a bathroom); and Bill Toth, a heroin addict imprisoned for fencing stolen goods. Toth and Steel fought over custody of their son, Nicholas, and much of the last half of the bio comes from trial depositions and interviews with Toth and his lawyers. Steel finally found her putative Prince Charming in John Traina, who the authors take pains to point out is not and has never been a shipping magnate, though he does have a dynamite collection of cigarette cases and closets full of designer clothes. With their nine children, Steel and Traina bought the enormous Spreckels mansion in San Francisco. They also own a mini- compound in the Napa Valley, where they house a fleet of cars and a staff of thousands. For the sins of success, eccentricity, and a strong sense of privacy, the authors try to build a case against Steel. But in the end she comes through as a hard worker and a gritty survivor. It's you-can-run-but-you-can't-hide journalism, gossipy with a sound foundation, and not too high on elegant turns of phrase. (First printing of 100,000; author tour)

Pub Date: Oct. 1, 1994

ISBN: 0-312-11257-2

Page Count: 320

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1994

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.