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KEITH RICHARDS

KEY TO THE HIGHWAY

A gushing Keith Richards fanzine and high-bias Rolling Stones history. Richards, Bockris tells us, was the son of a dour working- class father who told his son to ``stop that noise'' and a doting mother who listened to Keith practice in the kitchen for hours. In 1962, Richards joined the newly formed Rolling Stones; he was touring by 1963. Here, Bockris (The Life and Death of Andy Warhol, 1989, etc.) details—mainly through interviews with Richards—the guitar player's studio work, live performances, and personal life, as well as a chronicle of the band that was formed by Brian Jones. To Bockris, Jones is a virtual nonperson, and Richards—whose considerable talent as a songwriter peaked out, by his own estimation, in 1973—is the band's single, irreplaceable driving force. (By contrast, Stones bassist Bill Wyman says in Stone Alone [1990] that ``Brian was the inventor and inspiration of the Rolling Stones'' and that Richards ``screwed up the band with his drug problems for about ten years.'') Much of the portrait here is a depressingly familiar canvas of addiction and denial, with Richards repeatedly arrested, burning down numerous estate houses by nodding off with lighted cigarettes, methodically punching out his common- law wife, Anita Pallenberg, in front of their children, delaying concerts and recording sessions for hours and days while in a stupor or trying to obtain drugs. But Bockris quotes Richards as saying, ``I've never had a problem with drugs—I've had problems with police.'' And Bockris finds it all romantic: ``The drugs helped Richards understand he was living in the midst of a cultural renaissance.'' Interesting, and probably choice fare for Richards fans, but hardly gospel. (B&w photographs—not seen.)

Pub Date: Sept. 1, 1992

ISBN: 0-671-70061-8

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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