A victory-or-death view of America’s mission against terror.
Essays originally published in National Review Online from just after 9/11 through January 2002, arguing that the war on terrorism is justly rooted in both American and classical ideals.
The classical connection will not surprise those familiar with the author’s previous work (Carnage and Culture, 2001, etc.), many of which highlight the ancients’ mastery of the arts of war and battle as the paramount hallmarks of classical culture. Since conservative thinkers must by definition be anchored somewhere in the past, even readers of a liberal bent may conclude that Hanson (Classics/California State Univ., Fresno) could have made a worse choice than ancient Greece, though they may well deplore the amount of time he spends flaying his fellow academics as “elitists.” The vast majority of Americans supported the US administration’s response to the attacks on the World Trade Center and the Pentagon, so these pieces primarily offer the comfort that what little dissent was registered stemmed, in the author’s view, from feckless or ultraliberal know-nothings. The author is at his best in hammering America’s own experiences (with emphasis on the exploits of prosecutorial warriors like Grant, Sherman, and Patton) into a paradigm for confronting state-supported terrorism and Islamic fundamentalism. This crusade is occasionally hampered by the wide factual latitude Hanson exercises even as he derides the “distortions” of the media. For example, he continually alludes to the World Trade Center fatalities as if no foreign nationals were included, using the estimate of about 3,000 casualties to support the need to avenge “more American dead than in every battle up to Shiloh.” In his Arab world of “no elected leaders,” Arafat is not present. The Islamic nations, the author believes, cannot cope with modernity and are incapable of providing participatory government because of their roots in a hopelessly antiquarian system. At the same time, noting that “dangerous ideas” are being fostered in American universities, he cautions us to “cast them aside and look to our past.”
A victory-or-death view of America’s mission against terror.Pub Date: Aug. 13, 2002
ISBN: 1-4000-3113-3
Page Count: 240
Publisher: Anchor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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