Admirers of Pelevin’s fiction should attempt it. But it’s too much of a maze—and there’s nothing to show the way out.
The classical myth is reinterpreted with black-comic brio in this odd new novel from the internationally acclaimed Russian author (The Life of Insects, 1998, etc.).
Marketed as “Mythology” (and part of Canongate’s ongoing series “The Myths”), it’s a computer-age consideration of the meanings incarnated in the Greek adventurer Theseus, the monstrous (half-man, half-bull) Minotaur and the maze in which they meet. The novel’s form is an extended conversation taking place in an Internet chat room, among several e-mailers who are themselves confined within individual mazes that appear to be parts of an encompassing labyrinth. At least this is the eventually shared opinion of Ariadne (the Greek maiden whose clever placement of a thread guided Theseus in and out of his maze), aging Lothario Romeo-y-Cohiba, computer geek Nutscracker, booze-obsessed materialist Sartrik, sex-obsessed IsoldA (a self-described combination of the Mona Lisa and Monica Lewinsky) and others. Is the Minotaur the creation of Asterisk, a “boundlessly and infinitely powerful being” avenging himself on humans who had turned against him? Or something that exists only in the “chatters’” heads?—or are they what the beast itself imagines and dreams? Pelevin evidently enjoys himself more than most readers will, toying with theoretical possibilities while analyzing the nature of such mazes as that in an “amusement arcade,” the Roman catacombs, the gardens at Versailles, penitential labyrinths dug beneath churches and cathedrals and—of course—the Internet itself. Random clues suggest a satire on the “monstrous” commercialism and criminality that toppled the U.S.S.R. and labored puns liken computer “savers” to saviours (is Pelevin after all Russia’s Thomas Pynchon?). But it’s all exposition and explication, and it’s tiresome.
Admirers of Pelevin’s fiction should attempt it. But it’s too much of a maze—and there’s nothing to show the way out.Pub Date: April 18, 2006
ISBN: 1-84195-760-7
Page Count: 275
Publisher: Canongate
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2006
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Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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