The suspenseful, eye-opening memoir of a Soviet spy who came in from the cold. Writing in the third person, Sheymov offers a riveting account of his upwardly mobile career with the KGB and the factors that led him to defect to the West in 1980. In 1969, after graduating with an engineering degreee from Moscow's prestigious Technical University, the author joined a Defense Ministry institute that was researching military uses of space. Recruited by the state's intelligence service in 1971, at age 25, Sheymov eventually became the Eighth Chief Directorate's principal troubleshooter. In this sensitive capacity, he traveled far afield, ensuring the security of enciphered KGB communications throughout the world: During one sojourn, for example, he was able to figure out how the technologically backward Chinese had managed to eavesdrop on the USSR's Beijing embassy. Along the way, the author also learned about his agency's penetration of the Russian Orthodox Church, its role in the plot to assassinate Pope John-Paul II, and its involvement in other unsavory projects. But the higher Sheymov climbed, the more disillusioned he became with Communism and the Kremlin elite's corruption. Resolved to inflict as much damage as he could on the system, the author, while on a Warsaw assignment, evaded his minder and made contact with the CIA. The latter third of the narrative provides a detailed briefing on how Sheymov's knowledge of KGB tradecraft, as well as the professionalism of US operatives, allowed him to slip across two closely guarded borders into Austria with his wife and young daughter. The exfiltration was so skillfully executed that the author's erstwhile masters long believed that he and his family were dead. While the story ends abruptly with Sheymov's escorted arrival in N.Y.C., it seems likely that the information he subsequently furnished American officials hastened the cold war's end. A top-level insider's dramatic, stranger-than-fiction disclosures in the great game of espionage. (Maps and photographs- -not seen)
Pub Date: Oct. 1, 1993
ISBN: 1-55750-764-3
Page Count: 430
Publisher: Naval Institute Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1993
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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