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MY NAME IS VICTORIA

THE EXTRAORDINARY STORY OF ONE WOMAN'S STRUGGLE TO RECLAIM HER TRUE IDENTITY

Donda’s captivating account of her surreal role in pulling back the curtain on one of the darkest periods of Argentine...

The youngest member of the Argentine National Congress reveals the gruesome story of her uncle’s involvement in her birth parents’ murder, her kidnapping and adoption and the shock waves the truth created in her life.

Born in captivity in a military prison to a mother she never knew, Donda chronicles the painful discovery of her true identity. At the age of 27, the author learned that she was the daughter of one of the “disappeared,” one of “the thirty thousand people who were kidnapped, tortured, and eventually killed” by the military dictatorship beginning in the 1970s. Analía, as she was known, always perceived a gulf between herself and the couple she knew as her parents. “From my earliest years, I’ve had a rebellious, contentious nature that was diametrically opposed to that of the man and woman who raised me whom I believed to be my parents,” writes the author. At an early age, Donda became active in social-justice movements and helping the poor. As her political commitments deepened during the ’90s, the author rebelled against the right-wing ideology of her middle-class suburban parents. When she learned the identities of her real parents and how they died, she was forced to confront the truth: “I was thus raised in a brazen lie, knowing nothing of my true roots and loving the very people who benefited from the tragic fate of my real parents.” Donda deftly leads readers through Argentina’s Byzantine history of guerrilla groups, dictatorships, coups and military policies, providing a solid foundation for understanding the political and social upheavals underpinning her story. As “the first baby stolen by the military to play an official role in the political life of her country,” the author serves as a witness to its horrific past and its hopeful future.

Donda’s captivating account of her surreal role in pulling back the curtain on one of the darkest periods of Argentine history merits a wide readership.

Pub Date: Oct. 18, 2011

ISBN: 978-1-59051-404-7

Page Count: 272

Publisher: Other Press

Review Posted Online: Aug. 16, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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