Come for the missing person mystery, stay for the existential ennui.
When her friend Peter goes missing, Andy digs up long-buried secrets from their teenage years to find him.
The year was 1996, and Andy’s neglectful mother was sure the apocalypse was nigh. Andy; her boyfriend, Marcus; her best friend, Peter; and their other friend, Em, decide to break into an abandoned manor and pretend that the world really is ending and that they can therefore do whatever they want without consequence. At the manor they meet David, a mysterious boy about their age whose enigmatic presence pits Peter and Andy against each other, vying for David’s attention. When they hear a story about a diamond necklace supposedly hidden somewhere on the property, Em buys a fake necklace that they take turns hiding and searching for, a ritual they simply call “the game.” Twenty years later, Andy hears from Peter’s mother that Peter has gone missing. Andy goes digging back into their past in an attempt to find some clue that might lead her to Peter, but she finds more mysteries than she bargained for. Though it’s Peter’s disappearance that sets off the events that lead Andy to unpack her youth, this book isn’t exactly a thriller. The elements of mystery serve to provide narrative tension, but the real point here is Gosling’s examination of the disappointment of modern living, the emptiness of adulthood, and the notion of the fake diamond necklace so many of us spend our lives searching for. The ending doesn’t quite satisfy, and a few of the passages on contemporary culture fall flat—for example, saying that Tinder is superficial is not much of an observation at this point. But Andy’s search for her friend works well as a scaffolding for some lovely passages, like Andy’s thoughts on the online trend of “unboxing” videos: “And every time, when the moment finally came, I wondered if the hundreds of thousands of other people who watched these videos felt the same as I did, the same anticipation, the same surprise, and ultimately the same disappointment—that what was inside the box was just a thing.”
Come for the missing person mystery, stay for the existential ennui.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-75915-3
Page Count: 288
Publisher: Henry Holt
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.
What hasn’t legendary legal eagle Grisham tried yet? How about a thriller about serial kidnapping and international terrorism.
When Paul and Chelsea Tanner disappear during a day trip on their Paris honeymoon, their abductors demand a ransom of $2 million from Chelsea’s wealthy parents, and a few days later the same sum from Paul’s much less well-heeled parents. After orthopedist Lowell Clayburn, Chelsea’s father, ponies up the ransom without breathing a word to the authorities, his daughter is promptly released. But even though Paul’s parents sell their home, liquidate their assets, and borrow money from the Clayburns to meet the kidnappers’ demands, the villains hold on to Paul anyway. Asked whether he’s ever seen such an outcome in a double kidnapping, FBI deputy director Andrew Strong tells Lowell: “No, this is a new one.” But it’s not, as Strong knows all too well; it’s the third such active case, all involving honeymooning couples whose bridegrooms had served in the armed forces. After masterfully drawing readers in with his bare-knuckle account of the Tanners’ abduction and the attempt by their families and the CIA to tell the lies required to keep caring friends and the rapacious press at bay, Grisham effortlessly switches gears to follow CIA agent Rae Claire Russo and Stuart Nash, a former Department of Justice prosecutor at Guantanamo Bay who agrees to marry her so they can serve as bait for the kidnappers, whose motives include justice and revenge as well as cold hard cash. So much for the imprisoned Paul’s wistful reflection that “hopefully, it was only about money.”
The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.Pub Date: Sept. 29, 2026
ISBN: 9780385550543
Page Count: 352
Publisher: Doubleday
Review Posted Online: Aug. 17, 2026
Kirkus Reviews Issue: Sept. 15, 2026
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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