Stock characterization and puerile romance dull a promising fantasy. Dreamy Bryn, a poor stonecutter’s daughter, expects splendid adventure when she is chosen to serve in the Temple of the Oracle, but her impulsiveness and naïveté lead her afoul of its strict rules and her snobbish fellows. Even after being “wind–chosen” and granted special gifts in prophecy, she makes friends only with other outcasts—especially Kiran, the straightforward acolyte who can speak to animals. But Bryn’s remarkable powers plunge her into the murderous intrigues of both priesthood and nobility, and soon not only her own life, but the fate of the entire kingdom, is imperiled. While setting this in the same world as her earlier efforts, Hanley shows none of their structural complexity or moral conflicts. The rich possibilities of the setting and characters are left unexplored in favor of endless scenes of Bryn being picked on by mean rich girls, Bryn mooning about Kiran’s feelings, Bryn and her friends gossiping, fixing their hair and swooning over popular troubadours. Too little suspense, depth, or wonder, and far too much teen soap opera, make this misfire eminently skippable. (Fantasy. 12+)
Pub Date: May 10, 2005
ISBN: 0-385-75086-2
Page Count: 320
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2005
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Beautiful and important.
When Death tells a story, you pay attention.
Liesel Meminger is a young girl growing up outside of Munich in Nazi Germany, and Death tells her story as “an attempt—a flying jump of an attempt—to prove to me that you, and your human existence, are worth it.” When her foster father helps her learn to read and she discovers the power of words, Liesel begins stealing books from Nazi book burnings and the mayor’s wife’s library. As she becomes a better reader, she becomes a writer, writing a book about her life in such a miserable time. Liesel’s experiences move Death to say, “I am haunted by humans.” How could the human race be “so ugly and so glorious” at the same time? This big, expansive novel is a leisurely working out of fate, of seemingly chance encounters and events that ultimately touch, like dominoes as they collide. The writing is elegant, philosophical and moving. Even at its length, it’s a work to read slowly and savor.
Beautiful and important. (Fiction. 12+)Pub Date: March 14, 2006
ISBN: 0-375-83100-2
Page Count: 512
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2006
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