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THE ELECTRIC HEIR

From the Feverwake series , Vol. 2

An exciting read from start to finish.

The year is 2123; it has been 6 months since Noam helped overthrow the despotic government of Carolinia.

Lehrer is chancellor. Atlantian refugees are pouring into Carolinia. Noam is on a mission in the quarantined zone. Everything is far from OK. What Lehrer doesn’t know is that Noam remembers that Lehrer is the one responsible for everything: Lehrer, who is his teacher, mentor, and, now, lover. And then Dara—who should be dead, whom he sent off into the quarantined zone—walks right back into Noam’s life. Having taken the vaccine to save his life, Dara now finds himself without his powers and with a clear thirst for revenge. Fortunately, Noam wants to use his role as Lehrer’s protégé to help the resistance, but Dara and Noam have very different ideas of what that looks like. In a narrative that shifts between Noam’s and Dara’s perspectives, this book deals with complex issues including grooming, attempted rape, sex and sexuality, alcohol abuse, political ethics, and biological warfare. At times it feels as if the author is attempting commentary on too many things and the story might have had a stronger effect if it were more focused; however, it will leave fans of the first book satisfied. As before, there is diversity in ethnicity and sexual orientation in the cast.

An exciting read from start to finish. (maps, content notes, resources) (Dystopian science fiction. 15-18)

Pub Date: March 17, 2020

ISBN: 978-1-5420-0508-1

Page Count: 480

Publisher: Skyscape

Review Posted Online: Jan. 22, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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REDEMPTION PREP

Only marginally intriguing.

In a remote part of Utah, in a “temple of excellence,” the best of the best are recruited to nurture their talents.

Redemption Preparatory is a cross between the Vatican and a top-secret research facility: The school is rooted in Christian ideology (but very few students are Christian), Mass is compulsory, cameras capture everything, and “maintenance” workers carry Tasers. When talented poet Emma disappears, three students, distrusting of the school administration, launch their own investigation. Brilliant chemist Neesha believes Emma has run away to avoid taking the heat for the duo’s illegal drug enterprise. Her boyfriend, an athlete called Aiden, naturally wants to find her. Evan, a chess prodigy who relies on patterns and has difficulty processing social signals, believes he knows Emma better than anyone. While the school is an insidious character on its own and the big reveal is slightly psychologically disturbing, Evan’s positioning as a tragic hero with an uncertain fate—which is connected to his stalking of Emma (even before her disappearance)—is far more unsettling. The ’90s setting provides the backdrop for tongue-in-cheek technological references but doesn’t do anything for the plot. Student testimonials and voice-to-text transcripts punctuate the three-way third-person narration that alternates among Neesha, Evan, and Aiden. Emma, Aiden, and Evan are assumed to be white; Neesha is Indian. Students are from all over the world, including Asia and the Middle East.

Only marginally intriguing. (Mystery. 15-18)

Pub Date: April 14, 2020

ISBN: 978-0-06-266203-3

Page Count: 416

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: Jan. 18, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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