by Victoria M. Sanchez ; illustrated by Jess Golden ‧ RELEASE DATE: Oct. 1, 2018
This well-intended exploration of anxiety is seriously flawed and misrepresents the seriousness of anxiety disorders.
Pilar is painfully shy, plagued by worries and performance anxiety, even in ballet—her favorite class.
To help her through her days, her friend and her mother help remind her to “breathe.” When an opportunity to audition for a ballet production presents itself, Pilar worries that she won’t be able to participate. Between Mama’s encouragement, Pilar’s positive self-talk, and her friend’s support, her performance is a success. Golden’s simple watercolors successfully convey the progression of angst-filled expressions flitting across the little Latina’s face. Unfortunately, the characters’ cookie-cutter angular features are practically indistinguishable except for skin color. Following her straightforward story, Sanchez provides links to websites about childhood anxiety; however, both a cavalier comment in the author’s note and the simplicity of the story vastly oversimplify anxiety disorders. “Anxiety is…one of the easiest conditions to treat with simple coping strategies and cognitive behavior therapy,” writes Sanchez. By implying that shyness, stage fright, worrying, and anxiety disorders are interchangeable issues, Sanchez undermines the effectiveness of her message. Further diminishing the story’s value is the fact that while Pilar practices some of the many coping strategies and treatment plans recommended by mental health professionals, readers are completely excluded from the learning/discovery process—they watch Pilar from the outside.
This well-intended exploration of anxiety is seriously flawed and misrepresents the seriousness of anxiety disorders. (bibliography) (Picture book. 4-7)Pub Date: Oct. 1, 2018
ISBN: 978-0-8075-6546-9
Page Count: 32
Publisher: Whitman
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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