A well-illustrated tale that wonderfully integrates intriguing works of art.
An encouraging teacher takes her class on a field trip to the North Carolina Museum of Art in Scott-Miller’s debut picture book.
Miss Edmonia, who speaks in rhyme, instructs her students, or “Wildfires,” as she calls them, to find their personal traits in art. Realistically, one student, Attilio, complains that museums are boring. Then Kara-Clementine discovers The Three Graces: Les Trois Femmes Noires by Mickalene Thomas. Attilio is intrigued by Romare Bearden’s New Orleans: Ragging Homeand Yayoi Kusama’s “Light of Life.” Soon, Miss Edmonia asks the students to share their traits; Kara-Clementine says she’s a leader, and Attilio says he’s kind. (Kindness is depicted with emojis, however, which clash with the book’s lovely illustrations.) Miss Edmonia tells her students that “The People’s Collection” reflects them and that “no matter your race, color, gender or creed,” the art museum will “always be yourgallery.” Scott-Miller’s story is creative and positive. Illustrator Powell’s portrayal of Miss Edmonia has excellent style, with natural black hair, blue overalls, and pink heart earrings. On the title page, she’s depicted in the manner of an ancient statue, exemplifying the title’s message. A distracting change of typeface, for no discernible reason, is a minor flaw. Miss Edmonia is depicted as Black; the students have varying skin tones and one uses a wheelchair.
A well-illustrated tale that wonderfully integrates intriguing works of art.Pub Date: N/A
ISBN: N/A
Page Count: 40
Publisher: Manuscript
Review Posted Online: April 18, 2022
Review Program: Kirkus Indie
Little Blue Truck keeps on truckin’—but not without some backfires.
Little Blue Truck feels, well, blue when he delivers valentine after valentine but receives nary a one.
His bed overflowing with cards, Blue sets out to deliver a yellow card with purple polka dots and a shiny purple heart to Hen, one with a shiny fuchsia heart to Pig, a big, shiny, red heart-shaped card to Horse, and so on. With each delivery there is an exchange of Beeps from Blue and the appropriate animal sounds from his friends, Blue’s Beeps always set in blue and the animal’s vocalization in a color that matches the card it receives. But as Blue heads home, his deliveries complete, his headlight eyes are sad and his front bumper droops ever so slightly. Blue is therefore surprised (but readers may not be) when he pulls into his garage to be greeted by all his friends with a shiny blue valentine just for him. In this, Blue’s seventh outing, it’s not just the sturdy protagonist that seems to be wilting. Schertle’s verse, usually reliable, stumbles more than once; stanzas such as “But Valentine’s Day / didn’t seem much fun / when he didn’t get cards / from anyone” will cause hitches during read-alouds. The illustrations, done by Joseph in the style of original series collaborator Jill McElmurry, are pleasant enough, but his compositions often feel stiff and forced.
Little Blue Truck keeps on truckin’—but not without some backfires. (Board book. 1-4)Pub Date: Dec. 8, 2020
ISBN: 978-0-358-27244-1
Page Count: 20
Publisher: HMH Books
Review Posted Online: Jan. 18, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
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