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MIDNIGHT

THREE WOMEN AT THE HOUR OF RECKONING

A fresh and instructive investigation of three iconic lives and minds.

What were Jane Austen, Mary Shelley, and Joan of Arc thinking and feeling during their hours of deepest crisis and despair?

Shorr (Backlands, 2015), who co-founded the Archer School for Girls in Los Angeles, combines sturdy biographical research with some flights of imagination to portray three different women caught in the vises of three very different sets of circumstances. Austen (1775-1817), Shelley (1797-1851), and Joan of Arc (1412-1431)—each faced considerable darkness but persisted until light appeared. Austen found herself growing older with no marriage prospects and “without a penny to her name”—then picked up her pen; Shelley had to deal with the deaths of three of her children and a husband (poet Percy Bysshe Shelley) whose eye roamed before he drowned, leaving Mary widowed at 25; Joan, after winning battles for France, was captured and knew a flaming death at the stake would be her fate. In all three stories, Shorr employs a similar strategy, interweaving historical and biographical facts with imagined actions, thoughts, and dialogue. She is not explicit about the connections among the women’s lives; she does not point out, for instance, that neither Percy Shelley’s nor Joan’s heart burned in the flames that consumed their bodies: Shelley’s, a cremation on the beach at Viareggio; Joan’s, a fiery execution in Rouen. Regardless, the author’s voyages into the minds of the women are impressive. Joan battles with another “Joan,” whom the author calls “Girl X,” a timorous version of herself who wants only to live. Mary comes to terms with her husband’s infatuations with other women, deciding each is more muse than potential lover. Jane realizes that her work, “that spark she’d trusted, had caught fire, and lit her life.” The detail is a little thick in the Mary section, and the text is a little long in Joan’s.

A fresh and instructive investigation of three iconic lives and minds.

Pub Date: March 12, 2019

ISBN: 978-0-393-65278-9

Page Count: 288

Publisher: Norton

Review Posted Online: Nov. 20, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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