Written with urgency, elegance, and grace, Shorr’s novel is a deeply moving account of a family’s suffering.
A woman retraces her great-uncle’s steps through Auschwitz.
Grieving and disoriented at her uncle’s funeral, Consie is handed a letter that seems to indicate something surprising: Another uncle—the uncle’s uncle, in fact—might have escaped Auschwitz. Though his three daughters survived the camp, they’d long presumed both their parents dead. Consie is shocked to hear that Hermann might have staged an escape. In what seems to be the present day, she begins tracking down information—mainly oral testimonies from other Auschwitz survivors—that might indicate what happened to Hermann. One of these, a recording made by Hermann’s oldest daughter, Magda, makes up the crux of Shorr’s very fine novel. It’s a story within a story, and it’s so vividly and urgently written that, reading it, it’s easy to forget about Consie and her search entirely. But when Magda’s story ends, Consie’s continues. Shorr’s prose is powerful but never overblown, and while the details she includes about the suffering endured at Auschwitz might not be entirely new to most readers, the novel as a whole is still deeply moving. There’s also a subtle and very smart commentary running through the book about not only how history is recorded, but how it is then experienced and sometimes resisted. Consie notes how different her reaction to the oral testimonies was compared to her experience reading Hannah Arendt’s Eichmann in Jerusalem.When the book became “so disturbing as to be unbearable, she could still slam it shut and put it back on the shelf.” She could do no such thing with the stories she hears. As for Shorr’s book, you’ll have trouble putting it down at all, much less slamming it shut.
Written with urgency, elegance, and grace, Shorr’s novel is a deeply moving account of a family’s suffering.Pub Date: March 9, 2021
ISBN: 978-0-393-54085-7
Page Count: 272
Publisher: Norton
Review Posted Online: Jan. 13, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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