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COLOR SONG

A DARING TALE OF INTRIGUE AND ARTISTIC PASSION IN GLORIOUS 15TH-CENTURY VENICE

From the Passion Blue series , Vol. 2

This combination of page-ripping plot and insight into the creative process is as rare and luminous as the color Strauss...

A young novice escapes the confines of the convent to risk it all for her art.

Set on the cusp of the 16th century, Strauss’ sequel to Passion Blue (2012) finds her artistically gifted heroine, Giulia, still trapped behind Santa Marta’s convent walls and fearing for her future there. As her mentor succumbs to disease, she entrusts Giulia alone with her secret recipe for “Passion blue,” the dazzling ultramarine color that has brought the Santa Marta workshop fame beyond Padua—and for which Giulia had been held captive by her mentor’s father, a famous artist willing to stop at nothing to acquire it. Giulia flees Padua disguised as a boy, hoping to apprentice in the workshop of a Venetian artist, but no sooner is she out of Padua then she is robbed by vagrants and terribly beaten. A kindly noblewoman returning to Venice with her son takes the disguised Giulia under her protection, leading to thrilling adventures as Giulia attempts to develop her artistry without revealing her true identity. Here, Strauss delves deeper into the Renaissance studio, exploring the intricacies of paint-making and production while cleverly stressing themes of artistic integrity and the importance of pursuing one’s passion even in the face of seemingly insurmountable hurdles like conventional sex roles of the period.

This combination of page-ripping plot and insight into the creative process is as rare and luminous as the color Strauss imagines. (Historical fantasy. 11 & up)

Pub Date: Sept. 16, 2014

ISBN: 978-1-4778-4778-7

Page Count: 338

Publisher: Skyscape

Review Posted Online: Aug. 11, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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