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DAS KAPITAL

A NOVEL OF LOVE AND MONEY MARKETS

Sophisticated, slightly daffy poke at our Masters of the Universe.

A pretty Marseillaise, a pretty grim Corsican and a happily pessimistic hedge-fund manager get themselves into a pretty fix with world shattering results, in the second novel from Berberian (The Cyclist, 2002).

Wayne is the very young and very successful manager of Empiricus, a hedge fund built on the belief that there is always something nasty lurking around the corner and that bubbles always burst. While the rest of the world searches for the Next Big Thing, Wayne and Empiricus search for the Next Awful Thing. And it doesn’t matter what: Political upheaval. War. Disease. There’s always trouble somewhere, and always money to be made if one spots the disaster while everyone else looks for the silver lining. One little pocket of trouble is on Corsica, where a cardboard manufacturer is about to breathe its last, further worsening the woeful economy of the depressed French province, further depressing an anti-global local known to Alix, his architectural student sweetheart in Marseilles, and to Wayne, who has been dumping the cardboard company stock, only as the Corsican. But Wayne, never completely satisfied with letting nature schedule her own disasters, has uses for the Corsican. He also has hopes for an eventual meeting with Alix, with whom he has been corresponding. Alix is a rather fey thing, given to spending nights under the stars on the rooftops of the local high rises. Although she rather fancies Wayne, whom she has yet to meet, she still has liaisons with the Corsican. Wayne has more than a romantic interest in Alix; he’s having her ship diagrams of prominent architectural landmarks, drawings that will find their way, marked with Alix’s signature, into the hands of the Corsican. When Wayne and Alix finally meet, they strike sparks. And more sparks.

Sophisticated, slightly daffy poke at our Masters of the Universe.

Pub Date: June 1, 2007

ISBN: 978-0-7432-6723-6

Page Count: 192

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2007

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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