A bright and joyful celebration of the kaleidoscope of colors in readers’ families and communities.
A girl connects the colors of her life to the people around her in this picture book.
Young Morgan proudly states that she’s a girl of color. She points out that while she is a Black girl, that color doesn’t match her skin. Instead, her tone is golden brown, “like the sun-kissed leaves of autumn.” Her best friend is White, but her skin doesn’t look like snow—she’s peachy. On the following pages, Morgan describes how her family compares her with other colors, depending on her mood and the happiness she brings to others. She touches on the hues, patterns, and skin tones that surround her. Young’s accessible, first-person narrative, along with the clues in each of Hayden’s digital illustrations, makes this a strong selection for emergent readers. Like Young and Hayden’s previous book, I Too Allergic (2018), this title features a child advocating for herself. But in this case, the girl is pointing out the beauty of colors everywhere and encouraging readers to join her in loving that splendor. Hayden deftly depicts Morgan in a number of outfits and hairstyles, showing the huge array of expressions girls can embrace. The illustrator also offers a range of skin tones both in Morgan’s family and in her community to emphasize the uplifting message. One particularly funny image shows Morgan experimenting with bright red lipstick, to her mother’s humorous dismay.
A bright and joyful celebration of the kaleidoscope of colors in readers’ families and communities.Pub Date: Jan. 16, 2021
ISBN: 979-8-58-776223-7
Page Count: 28
Publisher: Self
Review Posted Online: Aug. 1, 2021
Kirkus Reviews Issue: Oct. 1, 2021
Review Program: Kirkus Indie
PROFILES
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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