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GEEK SUBLIME

THE BEAUTY OF CODE, THE CODE OF BEAUTY

An engaging exercise in interdisciplinary thought, both elegant and eloquent. Besides, who can resist a text that works...

A fruitful exploration of computer-age aesthetics, when artists are making use of programming even as programmers consider themselves artists.

“Poetry’s beauty is infinite,” writes programmer and acclaimed novelist Chandra (Sacred Games, 2007, etc.). True enough, but Windows Vista’s code is still infinitely kludgy, even if, as the author argues, the “iterative processes of programming—write, debug (discover and remove bugs, which are coding errors, mistakes), rewrite, experiment, debug, rewrite—exactly duplicate the methods of artists.” It is an argument that Chandra advances with great subtlety, though it perhaps does not help his case that most of his more extensive examples come from the corpus of Indian, and particularly Sanskrit, literature, which will make that argument sometimes challenging to follow for some readers. Gradually, the book loosens into what at times seem to be only marginally connected essays: Gender parity and code parity are much different things, and the bigness of epics such as the Mahabharata is considerably different from the bigness of big data. Still, there is a charm to Chandra’s sometimes-exotic approach, even as he circles back to some of his central questions: What makes a poem beautiful? Can we use the criteria we employ to answer that question to evaluate a computer program as well? The answers he proposes occasionally open onto still other questions, as with this one: “When programmers say what they do is just like what writers do, or gardeners, or painters, the error is that they aren’t claiming enough, the fault is that they are being too humble. To compare code to works of literature may point the programmer towards legibility and elegance, but it says nothing about the ability of code to materialize logic.”

An engaging exercise in interdisciplinary thought, both elegant and eloquent. Besides, who can resist a text that works karma, Marcel Duchamp and iterative programming into a single thought?

Pub Date: Sept. 2, 2014

ISBN: 978-1-55597-685-9

Page Count: 256

Publisher: Graywolf

Review Posted Online: July 1, 2014

Kirkus Reviews Issue: June 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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