A beguiling and unforgettable fable.
In this otherworldly novel, a cantankerous surgeon in a remote village in India attempts to revive a dead family.
A surgeon is about to leave his clinic for the night when a teacher, his pregnant wife, and their boy make a special request. They are undead, recently murdered by attackers, but an angel has promised them that if the surgeon repairs their injuries by dawn, they’ll be returned to the land of the living. The surgeon; his only assistant, a pharmacist; and her husband are confronted with an impossible task—to heal these ghost-beings in an antiquated operating room ill-equipped to mend even earthly bodies in a single night. “Whatever he was feeling now—the fear and fatigue—the night would only magnify it.” Physician-scientist Paralkar (The Afflictions, 2014) does not name his misfit cast of characters. Their anonymity alludes to their perilous circumstances and distressing exile. His prose is sharp and melodious, and within these enchanting passages is a haunting contemplation of life, death, the liminal space in between, and the dogged search for resurrection. Resurrection isn’t reserved only for the dead, however. The surgeon, though he possesses a heartbeat and other signs of life, is trapped in a kind of purgatory himself. Three years earlier, in an act of revenge against him, a former colleague sullied the surgeon’s reputation, forcing him to leave his large private hospital in the city to practice medicine in the middle of nowhere. His bitterness is palpable and tinges every aspect of his days. And yet, underneath it all, he manages to scrape together some semblance of humanity. “We hope that before we die we’ll find some final truth, a magic bulb to switch on and make all the wrong paths disappear. Until then, all we can do is walk through thorns and try not to trip.”
A beguiling and unforgettable fable.Pub Date: Jan. 14, 2020
ISBN: 978-1-948226-54-7
Page Count: 224
Publisher: Catapult
Review Posted Online: Sept. 29, 2019
Kirkus Reviews Issue: Oct. 15, 2019
BOOK REVIEW
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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