Another triumph for one of the most versatile and engaging of all contemporary writers.
The Indian-born poet (The Golden Gate, 1986) and novelist (A Suitable Boy, 1993) extends his already impressive range with this replete family memoir.
It’s the story of Seth’s London-based great-uncle (his grandfather’s brother) Shanti Behari Seth and Shanti’s German-Jewish wife Hennerle (“Henny”), with whom young “Vicky” lived when he came from Calcutta to attend university in London in 1969. Part One of this most artfully constructed book juxtaposes Seth’s own somewhat discordant educational and career experiences, while affectionately portraying the personality traits (Uncle Shanti’s kindhearted fussiness, Aunt Henny’s slightly nervous dignified reserve) that somehow made them a perfectly matched couple. Then, following her death and his decade of bereavement, Seth explores Shanti’s life (details provided by both “interviews” and correspondence): his studies in 1930s Berlin, patient courtship of Henny Caro (who would not marry him until many years later), departure for England when Third Reich regulations disallowed Shanti from practicing his chosen profession of dentistry and wartime service, during which an exploded shell destroyed his right arm. The absorbing third section is Henny’s story, told mostly through the agonized letters she exchanged with family and friends in wartime Germany, after she had emigrated to England. Marred only by a ten-page digression in which Seth analyzes German culture and history’s “possible influence in the present century,” this is an immensely moving narrative: a splendid small book within a book. Subsequently, Seth details Shanti’s and Henny’s expatriate marriage, then leaps ahead to Shanti’s ailing, deranged last years alone (he died shortly before his 90th birthday), concluding with a summation of their story’s relationship to Seth’s own life—which he has undertaken to explore in “a double biography, an intertwined meditation, where the author is an anomalous third braid.” Seth’s voice is a fluent, graceful and compassionate one, and the story he tells—in a sense, it’s every family’s story—should have irresistible appeal.
Another triumph for one of the most versatile and engaging of all contemporary writers.Pub Date: Nov. 1, 2005
ISBN: 0-06-059966-9
Page Count: 512
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 2005
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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