ALL THE LITTLE BIRD-HEARTS

A neurodivergent woman finds her world opening up in conflicting ways when new neighbors sweep into her life.

In the 1980s, the quietude of a sleepy town in England’s Lake District is disrupted by the arrival of a London couple, Vita and Rollo. Next-door neighbors Sunday Forrester—a single mother—and her independent teenage daughter, Dolly, are gradually drawn into their urbane and seemingly nonchalant orbit. The extraordinary Sunday, who serves as the direct yet poetic narrator of Lloyd-Barlow’s debut novel, enjoys the growing attention and friendship provided by the couple. Due to neurodivergence, Sunday has endured familial trauma and now spends her days isolated from the world beyond her home. Vita and Rollo’s more glamorous lifestyle (and even diet, which varies beyond Sunday’s preference for white foods) appeals to Dolly in ways with which Sunday cannot compete. The slow alienation of her daughter’s affections creates a tone of menacing suspense and raises questions about the toxicity of ableism and entitlement due to affluence. Sunday relies on coping skills developed over the course of a lifetime of disenfranchisement and misunderstanding and often refers to a dated etiquette guide and a book of Southern Italian folktales as her guides through the world of the neurotypical. The constant need to decode social messages received from those around her is exhausting for Sunday, as is the need to balance her own comfort against what her great love for Dolly compels her to do. Lloyd-Barlow, who has autism, deftly interweaves themes of family disruption, class disparities, entitlement, and social alienation through a quiet narrative and succeeds in creating a tempest in a very small, provincial teapot. The novel was longlisted for the 2023 Booker Prize.

Lloyd-Barlow’s narrator is not a novelty—she is an effective, thoroughly human character in a thoughtful book.