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CAPTURE OR KILL

Action junkies will gobble this up.

Bentley’s first Mitch Rapp thriller in the series begun by the late Vince Flynn and continued by Kyle Mills.

In 2011, saboteurs have blown up an Iranian nuclear facility, and Iran swears vengeance. Against whom, they don’t know yet. The head of Iranian intelligence, Azad Ashani, is dying of cancer and wants to both prevent a calamitous war and protect his family. But he sees his only chance as making a deal with the devil: "Malikul Mawt. The Angel of Death." Mitch Rapp. Mitch surely merits that sobriquet, yet the author makes clear that the CIA operative is “neither a sociopath nor a troubled soul” but more like a plumber just doing his job, unclogging drains. Lots of drains. “Mitch was created to hunt his nation’s enemies on their turf,” that’s all. Over the nearly two dozen books in the series, he’s killed enough bad guys to fill a small phone book. His persona is a bit over the crest of believability: “Managing Rapp wasn’t so much riding a bridleless mustang as trying to surf a tsunami.” “The man seemed born to kill terrorists in the same way in which Eddie Van Halen had been born to play guitar.” And to borrow a phrase, he jumps the shark when he plunges headfirst down a waterfall. But hey, what’s a hero for? He works in coordination with Army Rangers to “capture or kill” a high-value target—Osama bin Laden—over the Pakistani border in Abbottabad. The action hardly ever lets up, so Rapp’s legion of readers will find plenty to worry about—and enjoy. Author Bentley has successfully spun yarns in the Tom Clancy universe, and here he moves smoothly into Vince Flynn’s. Their writing styles and that of Kyle Mills are indistinguishable, as if they could slip into each other’s skins. There’s even a passing nod to Mark Greaney’s Gray Man, another plague on the world’s bad guys.

Action junkies will gobble this up.

Pub Date: Sept. 3, 2024

ISBN: 9781668045831

Page Count: 352

Publisher: Emily Bestler/Atria

Review Posted Online: Aug. 3, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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TO DIE FOR

Fast-moving excitement with a satisfying finish.

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  • New York Times Bestseller

The feds must protect an accused criminal and an orphaned girl.

Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead. 

Fast-moving excitement with a satisfying finish.

Pub Date: Nov. 12, 2024

ISBN: 9781538757901

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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