An often enjoyable, if slightly formulaic, SF novel about breaking away from a collective.
A parable in which unrest comes to a neatly hierarchical future state.
In the future world thatO’Neil imagines, society underwent a grand Reorganization a generation ago and is now carefully organized into levels of affluence. In Tier One are the Swells, who live in gated communities and have their every need or want quickly attended to by attentive “artificial intelligence entities”; they’re also guarded by the omnipresent, robotic Mech Marshals who enforce the law. On Tier Two are the Shoals, who likewise enjoy comfortable lives with all of their needs met, although perhaps less quickly or urgently than the people in Tier One. And finally, there’s Tier Three—the vast majority of the population, known as Sands, who are mostly contentedly idle and want for nothing, although they enjoy fewer luxuries; sometimes they provide luxuries for others in the form of Sands-made items, which are coveted by the upper Tiers for their supposed authenticity. Against this backdrop, readers meet the human law enforcement officer Lansing, his investigative AI partner (named “Partner”), and 15-year-old Traxter, a follower of an underground philosophical movement aimed at undercutting the seemingly perfect world society. One of Traxter’s instructors warns him about their AI helpers: “They meet all our needs. They spread us out. They teach us to behave. So they can ignore us.” Indeed, the darker reality underlying all the supposed contentment is stressed repeatedly over the course of the narrative: “The AIs are slowly cutting humans out of the decision cycle,” Lansing warns at one point. “We don’t make any sense to them, and they see our control as interference.”
In an unusual wrinkle, O’Neil’s novel is a companion piece to on an earlier nonfiction work by the same author. In The Unused Path(2021), he outlined a straightforward philosophy of life for readers to consider when they’re confronted with potentially corrosive complexities of the modern world. In this new novel, “the Unused Path” is intriguingly employed as the name of a dissident group disrupting the seemingly flawless society; it’s also the name of that group’s philosophy of nontechnological mindfulness, which features such mantras as “Develop your mind,” “Spend time alone with your thoughts,” and “Specificity contributes to accuracy.” Readers don’t need to read the first book in order to appreciate this one, but the use of such textual interconnectedness does make the somewhat familiarplot—about fugitives in a blandly perfect environment finding an off-the-grid, subversive alternative—more compelling than it would ordinarily be. Various subplots feel, more or less, like afterthoughts, but the main action manages to capture the imagination and hold it. The main players are developed well over the course of the narrative, and the book’s dialogue, especially, rings true and is consistently snappy and readable. The worldbuilding is thorough and internally consistent, as well, although many readers may wish the author had offered more specific details about the Reorganization that lies at the heart of the work.
An often enjoyable, if slightly formulaic, SF novel about breaking away from a collective.Pub Date: Sept. 1, 2021
ISBN: 978-1-73782-451-0
Page Count: 324
Publisher: FNG Press
Review Posted Online: March 9, 2022
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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