by Vincent Panella ‧ RELEASE DATE: Nov. 10, 2020
A richly textured tale of the less romantic aspects of the early Italian American experience.
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In this historical novel, a Sicilian immigrant navigates the spheres of workers rights and organized crime in his adopted homeland.
The year is 1907. Santo Regina, already a widower at age 32, is skeptical of the Fasci movement taking hold in his native Sicily, where the peasants are organizing to demand better treatment from the landowners. But he is intrigued by Don Vito Cascio Ferro, a former landowner–turned-agitator with assumed ties to the local Mafia. Vito is not a typical Mafioso, however. He looks like a religious hermit, tall and gaunt with a long gray beard, and he rails against the concept of private property. “I tell you now,” he says to Santo upon their meeting, “within five years most of the men around you will be in L’America, and Sicily will be left to those with the foresight to see its future.” When his own attempt at activism fails, Santo joins the stream of men immigrating to America for work, leaving his young son and teenage daughter behind in the care of his mother. In Louisiana, Santo encounters the same oppressive working conditions that he faced in Sicily—as well as bosses willing to use violence to enforce the status quo. In New Orleans, Santo again meets Vito, who has cut his long beard and evolved away from his earlier politics. “Let’s say I’m in another part of the same business,” he tells Santo as he describes his new activities within America’s growing Sicilian community. As Santo’s daughter, Mariana, back in Sicily gets herself in a compromising position with a local tough, he must decide to what lengths he will assist his countrymen in their attempts to gain financial independence—and just what side of Vito’s law he will stand on.
Panella’s prose is concise and insightful, capturing not only the era in which it is set, but also the contemporary worldviews of his characters. At one point, Santo wonders: “What kept him in Sicily? A house and a shovelful of land? A mother whose life was a path between home and church, and who wouldn’t even hear of L’America? Or was it the image of his father, who walked the streets like a ghost, a bag of bones in a black suit, railing at the ignorance of his fellows.” The author largely avoids the more clichéd depictions of the Mafia in the United States, presenting instead a less formal, more organic outgrowth of the cultural upheavals present in Italy and America during this period. There are times when the story moves a bit slowly, but the book’s relatively short length and streamlined plot help to maintain its momentum. Santo and Vito are both intriguing characters, and Mariana provides a particular window into the precariousness of life back home. At its best moments, the volume calls to mind the work of 20th-century Italian novelists like Cesare Pavese and Leonardo Sciascia, wherein the convictions of a moral man are tested by an invariably amoral environment.
A richly textured tale of the less romantic aspects of the early Italian American experience.Pub Date: Nov. 10, 2020
ISBN: 978-1-59954-156-3
Page Count: 228
Publisher: Bordighera Press
Review Posted Online: Sept. 3, 2020
Kirkus Reviews Issue: Nov. 1, 2020
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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