by Vincent Schoofs ; illustrated by Brandon Le & Nguyen Phan ‧ RELEASE DATE: N/A
A uniquely musical take on coping with the grief of losing a parent.
Two children turn to their visiting uncle, a red panda, to help them cope with the grief of losing their mother in this rhythmic picture book.
Elvira and Alexandra, based on Belgian author Schoofs’ daughters, are grieving their Chinese mother’s death. Uncle Pete, a musician, comes “to magic some smiles on to our faces” with plans to lay a track to the perfect beat. Uncle Pete, with his bushy tail sticking out from his shirt, starts his visit with food and fun. At a visit to the temple, he reminds the girls no matter where they go, they are never separate from their mother’s love. The sisters help Uncle Pete make music, but it’s still not quite right. Later, after a colorful, musical dream in which the girls’ mother promises to be with them always, Uncle Pete gathers the family for a hug, where they all realize their heartbeats, joined in love, are the perfect beat. Schoofs’ rhyming stanzas have uniquely syncopated rhythms, which can make the scansion challenging. The vocabulary includes words in Chinese (some in untranslated Chinese characters) and strange phrases, like “flaneur about town,” which may require explanation. The Chinese elements enhance the reading experience, and they reflect Elvira and Alexandra’s heritage. Le and Phan’s bright digital illustrations, especially in the dream sequence, emphasize the way that joy can help to combat grief, with the message that enjoying life doesn’t lessen love for the person who is lost.
A uniquely musical take on coping with the grief of losing a parent.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Manuscript
Review Posted Online: March 18, 2021
Review Program: Kirkus Indie
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Andrew Clements & illustrated by R.W. Alley ‧ RELEASE DATE: May 23, 2005
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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by Andrew Clements ; illustrated by Brian Selznick
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