by Vincent Tirado ‧ RELEASE DATE: Sept. 3, 2024
Great premise, bummer execution.
A contemporary take on suburban horror.
Marisol Reyes is a Black woman, the child of Dominican immigrants. Her wife, Alice Song, is Korean American. When they buy a home in a gated community, they quickly discover that their sexuality and their ethnicity set them apart from their neighbors. Sol has no interest in fitting in. Alice, though, feels a need to become a part of Maneless Grove. As this couple tries to navigate their differences, the homeowners association becomes a relentless presence. With each passing day, joining the HOA seems both more inevitable and more like signing a compact with the devil. This is all great stuff. Tirado is clearly riffing on horror classics like The Stepford Wives and Rosemary’s Baby, as well as the movie Get Out (which is itself a riff on the aforementioned horror classics). But the author does not deliver on the promise of this setup. Very little in the novel makes sense, and Sol is more frustrating than compelling. She’s on leave from her job as a professor at Yale while her department investigates a plagiarism claim. This makes her vulnerable, for sure, as does her increasing reliance on alcohol and what looks like clinical depression. But Sol watches her house murder the only other Black woman in Maneless Grove, hears voices in her head (including the voice of that murdered Black woman), sees a vision of dead neighbors rotting in their living room, digs up her backyard to find a diary describing freaky stuff going on in her neighborhood generally and in her house specifically, and cuts live roots out of her feet without deciding that maybe it’s time to get out of Maneless Grove. Also? There’s some stuff about a regional cult back in the day that goes…nowhere. If this seems like a lot, it is, and none of it adds up in any sort of satisfying way.
Great premise, bummer execution.Pub Date: Sept. 3, 2024
ISBN: 9780063383180
Page Count: 384
Publisher: Morrow/HarperCollins
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Harlan Coben & Reese Witherspoon ‧ RELEASE DATE: Oct. 14, 2025
Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.
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18
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New York Times Bestseller
A widowed and disgraced plastic surgeon is drawn into a Russian oligarch’s evil schemes.
Witherspoon’s adult fiction debut, co-authored with thrillermeister Coben, opens as heart surgery performed by Dr. Marc Adams in a North African refugee camp is interrupted by the explosive invasion of armed militants. It's the last we will see of Marc in this dimension. The next chapter jumps ahead one year to a ceremony at Johns Hopkins University in Baltimore where his widow, Maggie McCabe, is supposed to be presenting an award in honor of her mother. Miserable and anxious about appearing in public after having lost her medical license, she consults with her late husband on her phone—not via supernatural means, but using a "griefbot," an amazingly lifelike and functional AI app created by her genius sister, Sharon. Once the griefbot coaxes her to brave the sneering masses, she learns she’s been replaced on the podium anyway. But she runs into a former professor, a celebrity plastic surgeon, who requests a meeting with her at his office in New York and won’t take no for an answer. Next thing she knows, there’s $10 million in her bank account and she’s on a private plane heading to a palace outside Moscow where she’s been engaged to perform off-the-record surgery on billionaire Oleg Ragoravich (new face) and his girlfriend, Nadia (new boobs). And…we’re off. A whirl of surgeries, chases, and escapes ensues as Maggie gradually comes to understand who these people are and what they have in mind for her, and how it connects to Marc and their missing friend and business partner, Trace Packer. She is aided by her delightful father-in-law, Porkchop, owner of a biker bar in New York City and a very handy guy to have on your team if you've run afoul of an international criminal organization. From the palace in Rublevka the action moves to Dubai and then Bordeaux, climaxing in a high-stakes illegal heart transplant. But wait—is Marc really dead? What happened to Trace? Who is Nadia really? Though these smoldering questions don’t quite catch fire, it's a good first try for Witherspoon.
Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.Pub Date: Oct. 14, 2025
ISBN: 9781538774700
Page Count: 352
Publisher: Grand Central Publishing
Review Posted Online: Oct. 15, 2025
Kirkus Reviews Issue: Dec. 1, 2025
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SEEN & HEARD
SEEN & HEARD
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