by Vincenzo Pignatelli & Lucia Masciullo & illustrated by Laura Wood & developed by Blue Quoll Digital ‧ RELEASE DATE: Dec. 13, 2013
Stereotypical Native American images ruin this otherwise pleasant adaptation; should the developer take advantage of the...
The infamous golden-haired mischief-maker is dressed up as a Native American in an appalling miscalculation that makes this potentially charming storybook app utterly missable.
Modern adaptations of classic folk tales abound in the App Store, since the stories are so well-known and still strike a common chord (and don’t entail pesky copyright problems). This interpretation starts out by casting Goldilocks as a young, generic (except for the blonde curls) Native American girl in a dreadful use of stereotypical images that adds nothing to the story. A totem pole, tepees, fringed skirt and braided hair are all mixed in with desert cacti in a bizarre mashup that disregards any cultural relevance or specificity. Were it not for this fatal flaw, the app might be a winner. The bears are recast from the traditional family roles as Mr. White, Mr. Black and Mr. Brown, sporting, respectively, a red bow tie, a meerschaum pipe and a monocle. When the bears politely confront her, the young troublemaker sees nightmarish versions of reality. They sing; she hears vicious roaring. They offer her more soup; she is convinced that they want to cook her alive! Goldilocks runs home, leaving the bears staring in surprise, “What an impolite creature.” The text and narration are available in eight languages, and the interface works smoothly. Background music and forest noises add nicely to the overall tone.
Stereotypical Native American images ruin this otherwise pleasant adaptation; should the developer take advantage of the flexibility of the medium to correct them, it will be a keeper. (iPad storybook app. 4-8)Pub Date: Dec. 13, 2013
ISBN: N/A
Page Count: -
Publisher: Blue Quoll
Review Posted Online: Feb. 11, 2014
Kirkus Reviews Issue: April 1, 2014
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by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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SEEN & HEARD
by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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