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FINDING ME

A MEMOIR

An unvarnished chronicle of hard-won, well-earned success.

The life story of an actor whose success has been shaped by grit and determination.

In a starkly forthright memoir, Oscar and Tony winner Davis reflects on family, love, motherhood, and acting. Born in South Carolina on a plantation where her grandparents had been sharecroppers, she grew up in dire poverty in Central Falls, Rhode Island. Her father was a physically abusive alcoholic, and the family lived in a rat-infested apartment where they often had no heat or hot water. Besides being taunted by her classmates for being Black, she was shunned because she smelled, often of urine. As she writes, she wet the bed until she was 14. “I was an awkward, angry, hurt, traumatized kid,” Davis writes. “I couldn’t articulate what I was feeling and nobody asked. I didn’t believe anybody cared. I was saturated in shame.” Inspired by seeing Cicely Tyson on TV, Davis wanted to become an actor—a goal that seemed far out of reach. But an acting coach in an Upward Bound program encouraged her, and she won a scholarship to Rhode Island College. After graduating with a theater degree, Davis worked tirelessly to hone her craft, both by performing and studying. At Juilliard, she bristled, at first, at their Eurocentric approach. A trip to Africa, when she was 25, energized her. Early in her career, Davis was discouraged about the stereotypical roles she was offered, most for “drug-addicted mothers.” Later, she writes, “I did a huge slate of what I call ‘best friends to white women’ roles.” For years, money worries dogged her. Even when working in theater, movies, and TV, she needed to supplement her income, and always, her family’s financial straits weighed heavily. Therapy finally helped Davis face the generational trauma that created her sense of “emotional abandonment.” About her professional triumphs, the author is modest: “It’s an eenie, meenie, miny, mo game of luck, relationships, chance, how long you’ve been out there, and sometimes talent.”

An unvarnished chronicle of hard-won, well-earned success.

Pub Date: April 26, 2022

ISBN: 978-0-06-303732-8

Page Count: 304

Publisher: HarperOne

Review Posted Online: Jan. 25, 2022

Kirkus Reviews Issue: Feb. 15, 2022

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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MELANIA

A slick, vacuous glimpse into the former first lady’s White House years.

A carefully curated personal portrait.

First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.

A slick, vacuous glimpse into the former first lady’s White House years.

Pub Date: Oct. 8, 2024

ISBN: 9781510782693

Page Count: 256

Publisher: Skyhorse Publishing

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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