A gripping account of survival and a condemnation of the conditions that marginalize and endanger the unsheltered.
Blue presents a memoir of her experience as an unhoused person.
The author, an investigative journalist (for CNET, CBS News, and the Financial Times, among others)and author or editor of 40 previous books, offers her remembrance of growing up unsheltered on the streets of San Francisco. The book is both an individual’s story of surviving on the streets and a look at the conditions that made it possible for someone of her background to end up there. The daughter of a Silicon Valley engineer who was also a drug user, Blue reports that she became one of the casualties of the war on drugs of the Reagan era. This book examines this phenomenon while indicting the government’s neglect of AIDS patients during this period (“when faced with the public health crisis of AIDS, the government used anti-gay prejudice to leave us dying in the streets by the thousands”). The author also criticizes the gentrification and “urban renewal” that made San Francisco so famously unaffordable and precipitated the specter of unhoused people squatting in crumbling Victorian mansions. Blue makes a clear distinction between people like her and voluntary runaways, for whom living on the streets was an adventure they could return from. The book’s very title reflects how the state of homelessness becomes as unremarkable to the unsheltered as water is to a fish—yet it can be incomprehensible to those who have not experienced it. The events Blue describes don’t always connect as a narrative—for example, the author’s traffic accident referenced at the beginning of the book is only seriously addressed much later in the narrative, when its significance may not be as apparent to the reader. Readers should be advised that the book contains many graphic descriptions of violence and deaths. The author’s unsparing style reflects Blues’ investigative journalist background, and the prepared reader should get a lot out of her story.
A gripping account of survival and a condemnation of the conditions that marginalize and endanger the unsheltered.Pub Date: Jan. 8, 2023
ISBN: 9780986226694
Page Count: 390
Publisher: Digita Publications
Review Posted Online: April 13, 2023
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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