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ANTHONY BURNS

THE DEFEAT AND TRIUMPH OF A FUGITIVE SLAVE

However, those who meet Hamilton's challenge will be rewarded with an unforgettable image of an intelligent, courageous man.

Part history, part fictionalized narrative: the story of a runaway slave who was returned from Boston to his master in Virginia under the Fugitive Slave Act of 1850.

Beginning with the day Bums was captured by a federal marshal and imprisoned in a makeshift jail in Boston's courthouse, Hamilton alternates the progress of his trial—with noted abolitionist Wendell Phillips making speeches and patrician attorney and novelist Richard Henry Dana as volunteer defense attorney—with Anthony's flashback retreats into his past. As counterpoint to the documented legal and political maneuverings, these glimpses of slavery are profoundly moving (we see Anthony as a favorite nuzzled against his master's chest on an early morning ride or, when he's older, submitting to a game of dominance before his master's friends). Returning from these memories, Anthony is depicted as almost unaware of the riots, the armed troops guarding the courthouse, or the judge doggedly carrying out President Pierce's order that the law be upheld. The six fictionalized chapters on Anthony's earlier life, interspersed through the narrative of events in Boston, give the reader a strong sense of his pain, frustration, and confusion; but the transitions (present fades to past in a manner made familiar on film, but seeming artificially abrupt here) interrupt the story, and the authentic courtroom scenes with their subtle (albeit vital) points of law will discourage many readers.

However, those who meet Hamilton's challenge will be rewarded with an unforgettable image of an intelligent, courageous man. (bibliography of sources, index, selections from the Fugitive Slave Act) (Historical fiction. 8-12)

Pub Date: June 5, 1988

ISBN: 978-0-679-83997-2

Page Count: 193

Publisher: Knopf

Review Posted Online: Oct. 26, 2011

Kirkus Reviews Issue: May 15, 1988

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WHAT JEWISH LOOKS LIKE

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world.

This wide-ranging collection of short biographies highlights 36 Jewish figures from around the globe and across centuries.

Explicitly pushing back against homogenous depictions of Jewish people, the authors demonstrate the ethnic, racial, and gender diversity of Jews. Each spread includes a brief biography paired with a stylized portrait reminiscent of those in Elena Favilli and Francesca Cavallo’s Good Night Stories for Rebel Girls (2016). A pull quote or sidebar accompanies each subject; sidebars include “Highlighting Jewish Paralympic Athletes,” “Jewish Stringed Music,” and “Ethiopian Jews in Israel.” Kleinrock and Pritchard’s roster of subjects makes a compelling case for the vastness and variety of Jewish experience—from a contemporary Ethiopian American teen to a 16th-century Portuguese philanthropist—while still allowing them to acknowledge better-known figures. The entry on Raquel Montoya-Lewis, an associate justice of the Washington Supreme Court and an enrolled member of the Pueblo Isleta Indian tribe, discusses her mission to reimagine criminal justice for Indigenous people; the sidebar name-checks Ruth Bader Ginsburg and Elena Kagan. The bios are organized around themes of Jewish principles such as Pikuach Nefesh (translated from the Hebrew as “to save a life”) and Adam Yachid (translated as the “unique value of every person”); each section includes an introduction to an organization that centers diverse Jewish experiences.

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world. (resources) (Nonfiction. 8-12)

Pub Date: Sept. 24, 2024

ISBN: 9780063285712

Page Count: 128

Publisher: Harper/HarperCollins

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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THE BOY WHO FAILED SHOW AND TELL

Though a bit loose around the edges, a charmer nevertheless.

Tales of a fourth grade ne’er-do-well.

It seems that young Jordan is stuck in a never-ending string of bad luck. Sure, no one’s perfect (except maybe goody-two-shoes William Feranek), but Jordan can’t seem to keep his attention focused on the task at hand. Try as he may, things always go a bit sideways, much to his educators’ chagrin. But Jordan promises himself that fourth grade will be different. As the year unfolds, it does prove to be different, but in a way Jordan couldn’t possibly have predicted. This humorous memoir perfectly captures the square-peg-in-a-round-hole feeling many kids feel and effectively heightens that feeling with comic situations and a splendid villain. Jordan’s teacher, Mrs. Fisher, makes an excellent foil, and the book’s 1970s setting allows for her cruelty to go beyond anything most contemporary readers could expect. Unfortunately, the story begins to run out of steam once Mrs. Fisher exits. Recollections spiral, losing their focus and leading to a more “then this happened” and less cause-and-effect structure. The anecdotes are all amusing and Jordan is an endearing protagonist, but the book comes dangerously close to wearing out its welcome with sheer repetitiveness. Thankfully, it ends on a high note, one pleasant and hopeful enough that readers will overlook some of the shabbier qualities. Jordan is White and Jewish while there is some diversity among his classmates; Mrs. Fisher is White.

Though a bit loose around the edges, a charmer nevertheless. (Memoir. 8-12)

Pub Date: Feb. 2, 2021

ISBN: 978-1-338-64723-5

Page Count: 208

Publisher: Scholastic

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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