Everybody is the saga of a family who drove from Huntington, Long Island, to Buenos Aires in a amphibious army "duck" at a maximum speed of 25 mph. They began when Mr. Hamilton lost his job, and he decided this was the ideal occasion to make a long coveted trip to South America. Gathering what capital they could, they converted the duck into an amphibious house, and took along a dog and three college boys in addition to their four young daughters. In all they travelled more than a year, sometimes by land and sometimes by sea, but they made it to Buenos Aires in spite of every natural and legal obstacle. Domestic arrangements in the duck were rough, to say the least; and if Mrs. Hamilton sometimes seems too concerned with how they got baths or showers, or what they had to eat (mostly spaghetti), that is understandable. She wisely avoids describing much of what they saw in the way of sights, as her literary powers and those of her collaborator are not great. She is at her best and most interesting in telling about the people they met and talked to in remote parts, as the Central American Islanders who told them: "You are not like other visitors who sometimes come here. We like you because you are friendly and treat us as equals. You hunt and fish with these men and talk with them and let them talk with you. Many people here do not bel you are Americans." A book guaranteed to stir wanderlust, though probably not for traveling in a duck.
Pub Date: June 15, 1962
ISBN: N/A
Page Count: -
Publisher: McGraw-Hill
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: June 15, 1962
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Essential.
A guidebook for taking action against racism.
The clear title and bold, colorful illustrations will immediately draw attention to this book, designed to guide each reader on a personal journey to work to dismantle racism. In the author’s note, Jewell begins with explanations about word choice, including the use of the terms “folx,” because it is gender neutral, and “global majority,” noting that marginalized communities of color are actually the majority in the world. She also chooses to capitalize Black, Brown, and Indigenous as a way of centering these communities’ voices; "white" is not capitalized. Organized in four sections—identity, history, taking action, and working in solidarity—each chapter builds on the lessons of the previous section. Underlined words are defined in the glossary, but Jewell unpacks concepts around race in an accessible way, bringing attention to common misunderstandings. Activities are included at the end of each chapter; they are effective, prompting both self-reflection and action steps from readers. The activities are designed to not be written inside the actual book; instead Jewell invites readers to find a special notebook and favorite pen and use that throughout. Combining the disruption of common fallacies, spotlights on change makers, the author’s personal reflections, and a call to action, this powerful book has something for all young people no matter what stage they are at in terms of awareness or activism.
Essential. (author’s note, further reading, glossary, select bibliography) (Nonfiction. 10-18)Pub Date: Jan. 7, 2020
ISBN: 978-0-7112-4521-1
Page Count: 160
Publisher: Frances Lincoln
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
BOOK REVIEW
PROFILES
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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