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JUNIUS OVER FAR

One of Hamilton's more accessible and unforced novels, Junius Over Far celebrates a boy's love for his grandfather, a man's rediscovery of his roots, and an old man's dignity and belonging. In so doing it sounds the relationship between a black and a white descendent of a slave-owning family and weaves in a touch of first love, a little curiosity-piquing mystery, and a taste of life on a small Caribbean island. The story begins with 15-year-old Junius Rawlings acutely missing his grandfather Jackabo, who raised Junius while his parents worked but has recently retired to his native Caribbean island. A high-school loner, Junius even speaks in his grandfather's island accent. Their separation does, however, allow Junius time for his first girlfriend; and it is a pleasure to see his growing confidence with the beautiful Sarrietta. Jackabo has gone to live with his distant white cousin, Burtie Rawlings, in the ruins of the old Rawlings plantation. There it seems that the two "old enemies," who call each other Dirty Burtie and Stinking Black Jack, have formed an almost affectionate mutual accommodation. But Burtie has been spying on sinister strangers at a nearby house, and late one night Jackabo sees him carried off, "like a sack." What with too many drinks and the effects of age, neglect and solitude, grandfather becomes disoriented—and Junius and his father Damius are confused by his letter about Burtie being carried away by pirates. They are, however, concerned enough to go to the island, which Damius has avoided since his youth. From their arrival on the island the novel glows and snaps with strong, compelling scenes, be they small and intimate like their meeting with the dazed old man they recognize as father and grandfather, or dramatic and public, like their visit to the island police station where they report Burtie missing—only to learn of the white Rawlings' small-time treachery. If, in the end, the strangers' sinister business sounds like a Cold War concoction, and if the ultimate disposition of the Rawlings property seems a little too good to be convincingly true, these details are peripheral and unimportant compared to Hamilton's clear-sighted handling of the Burtie connection and her vibrant family portrait.

Pub Date: April 24, 1985

ISBN: N/A

Page Count: -

Publisher: Harper & Row

Review Posted Online: Oct. 26, 2011

Kirkus Reviews Issue: March 15, 1985

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LITTLE RED SLEIGH

Sadly, the storytelling runs aground.

A little red sleigh has big Christmas dreams.

Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)

Sadly, the storytelling runs aground. (Picture book. 3-6)

Pub Date: Oct. 1, 2020

ISBN: 978-1-72822-355-1

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Aug. 17, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

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