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JUSTICE AND HER BROTHERS

This story of a psychically gifted eleven-year-old girl and her coming into her powers is the first in a trilogy, and much of the story, too, seems a setting-up for bigger things to come. The story has two strains: on the realistic level, Justice fiercely anticipates the Great Snake Race for which her brother Tom is organizing the neighborhood boys; she practices secretly for a bike trick she will perform for them all on the way to the snake swamp; and, it turns out, she misunderstands the terms of the race, which almost leads to her mortifying embarrassment. The other current, the supersensory one, begins with Justice's suspicion of a psychic bond between her older twin brothers, and we glimpse its nature as cruel Tom-Tom enters and controls brother Levy's mind. This is intriguing; but the sudden leap to Justice's being trained in mind power by a neighboring, adult Sensitive lands us, less seductively, in the realm of believe-it-or-not science fiction. The Sensitive's son Dorian has powers also—but his mother's suggestion that he should have intervened to save Justice's face in the snake race would seem a trivial misuse of them. In the end, the four special children—Justice, her brothers, and Dorian—sit with clasped hands as Justice explains, by mind-tracing, that "we four are the first unit," presaging a future in which everyone must be so joined. Tom of course resents Justice's newly revealed superior powers (but one feels for him for the first time when he complains, "I won't become a unit. I'll be me, alone, if I have to"). There will, it is suggested, be trouble from him and serious illness for Levy in future volumes. Perhaps now that Hamilton has assembled her unit, we can look forward to its pioneering ventures.

Pub Date: Oct. 16, 1978

ISBN: 0590362143

Page Count: 282

Publisher: Greenwillow Books

Review Posted Online: Oct. 26, 2011

Kirkus Reviews Issue: Oct. 1, 1978

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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