adapted by Virginia Hamilton ; illustrated by Leo Dillon & Diane Dillon ‧ RELEASE DATE: Oct. 21, 1985
Though flawed, it brings a good sampling of lore from the past to a new generation of readers.
The combination of Newbery winner Hamilton and the Dillons, two-time Caldecott Medalists, raises high expectations.
It is especially noteworthy that they've combined their talents to present a collection of Black American tales—a folklore awesome in its richness, power and complexity. With all this in mind, we expect to find here nothing less than fire from the mountain. Though there is much to enjoy, and many parts are quite stirring (such as the title story), Hamilton has prepared a sampling of carefully and respectfully retold tales, not a living work of art. A surprisingly facile introduction sets a restrained tone. And her forerunner, the complex figure of Joel Chandler Harris, is unfairly assessed. From reading Hamilton, one would not get the idea that Harris took enormous pains to reproduce the tales as he heard them, even when elements of the stories were incomprehensible to him. The book is organized into four sections: animal tales, fantasy, supernatural and tales of freedom. The final one ("Carrying the Running-Aways: And Other Slave Tales of Freedom") is by far the most effective for the contemporary reader; the best of these stories convey great heroism, beauty and nobility. Less rewarding are the fantasy tales (with the exception of "Wiley, His Mama, and the Hairy Man"), and the supernatural tales (although they frequently entertain, and several would be excellent as read-alouds). The animal tales move the reader the least, and are rather lifeless. Hamilton's approximation of dialect speech is laudable for its readability. The Dillons have lent handsome black-and-white paintings to the work, but they seem posed and static. Still and all, this is a useful collection and a valuable undertaking.
Though flawed, it brings a good sampling of lore from the past to a new generation of readers. (Folktales. 8-12)Pub Date: Oct. 21, 1985
ISBN: 978-0-394-86925-4
Page Count: 192
Publisher: Knopf
Review Posted Online: Dec. 26, 2019
Kirkus Reviews Issue: Sept. 15, 1985
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PERSPECTIVES
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by Joy Masoff ‧ RELEASE DATE: Aug. 1, 2000
Imagine compressing one hundred years of American history into 48 pages! Imagine making history come alive with photographs of people dressed in period costumes, slipping in odd historical facts while debunking myths, tucking in colonial crafts kids can try at home, and providing a sympathetic narrator who attempts to present the point of view of European settlers, Native Americans, African slaves, and indentured servants. The author of this title and American Revolution, 1700–1800 (see above) in the “Chronicle of America” series, tries hard, but the snippets selected to add interest, the overly dramatic prose, lack of sources, and excessive compression of complex issues make this title less than successful. Each double-paged layout tackles a new topic. Those include the voyage, first Americans, food, clothing, shelter, education, warfare, illness, farming, crafts, and the like. Topics usually begin with questions in italics to stimulate reader interest. For example: “How would you feel if you sat down to a dinner of meat loaf with maggots?” An introductory paragraph or two follows with short discussions of related topics, three or four uncaptioned photographs of people and objects from America’s Living History Museums, and a tan, blue, or red box with a “surprising history” snippet, or a colonial craft to try. Unsupported statistics abound, “In the early days of the European settlements, 80 percent of the people who came to Virginia died once they got there.” Or, “It took 2500 trees to build a ship the size of the Mayflower.” Or, “After months at sea with no fresh food, is it any wonder that some early settlers were forced to turn to cannibalism?” The glossy photos and breezy tone will appeal to young history enthusiasts, but caution should be exercised lest the reader come away with some very odd ideas about the past. The author concludes with a few titles for further reading, Web sites, picture credits, and an index. (Nonfiction. 10-12)
Pub Date: Aug. 1, 2000
ISBN: 0-439-05107-X
Page Count: 48
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2000
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by Joy Masoff with Jessica Garrett & Ben Ligon ; illustrated by David DeGrand
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by Joy Masoff & photographed by Brian Michaud & Peter Escobedo
by Glennette Tilley Turner ‧ RELEASE DATE: Sept. 1, 2010
Another too-little-known chapter in African-American history is revealed in this rich story of the first free black settlement to legally exist in what later became the United States. Founded in 1738 in St. Augustine in what was then Spanish Florida, Fort Mose offered sanctuary to slaves who escaped from English colonies. It would become home to approximately 100 people. Turner begins with the story of Francisco Menendez. With little historical record of his life, the author must speculate on what Menendez's life was like in West Africa before he was captured and sold into slavery in South Carolina. She does so responsibly, reminding readers of the paucity of source material and extrapolating from what is known of the slave trade at the time. In St. Augustine, Menendez became captain of the black militia that was vital to defending the settlement from English attack and the leader of the Fort Mose community. Illustrated throughout with archival images, this handsomely designed book offers an eye-opening look at a hitherto little-known community and a notable figure in Colonial American history. (glossary, source notes, bibliography, index) (Nonfiction. 8-12)
Pub Date: Sept. 1, 2010
ISBN: 978-0-8109-4056-7
Page Count: 48
Publisher: Abrams
Review Posted Online: Aug. 2, 2010
Kirkus Reviews Issue: Aug. 15, 2010
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