Geeder does make the association and learns to truly appreciate Zeely in an interlude of growing up successfully captured...
By the time you find out that Geeder (Elizabeth) and her younger brother Toeboy (John) are Negro it doesn't really matter anyway, although that fact is a part of their composite personalities and it does help to stress the extraordinary fascination Geeder felt for Zeely Taber.
For the duration of this short book Geeder is a fully realized young girl with the imagination and intuition consistent with her age and bounciness. Her surroundings can always be shared with her—the old farm with its antique-furnished house lovingly cared for by her Uncle Ross, the special aura of a summer vacation away from home, the complexities of travelling alone by train, her sibling superiority/tenderness toward Toeboy. A summer holiday is a time for revelations and Geeder's is Zeely Tabor, the six and one-half foot tall young woman who helps tend pigs on Uncle Ross' farm. From a pictorial magazine article Geeder jumps to the conclusion that Zeely is really a Watutsi queen, and in a rare moment of self-revelation Zeely indicates how non-royal she is. Zeely's time of day is the night, and at one point Uncle Ross reflects that "a night traveller must be somebody who wants to walk tall. And to walk tall, you most certainly must have to run free...it is the free spirit in any of us breaking loose."
Geeder does make the association and learns to truly appreciate Zeely in an interlude of growing up successfully captured here. (Fiction. 8-12)Pub Date: Feb. 1, 1966
ISBN: 1416914137
Page Count: 132
Publisher: Macmillan
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Feb. 1, 1966
BOOK REVIEW
BOOK REVIEW
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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