A GOOD LIFE

Two sisters. One week. A lifetime to understand.

Popular French author Grimaldi’s American debut charts the course of an emotional one-week reunion between two estranged sisters who retreat to their beloved grandmother’s Basque home before it’s sold to new owners. Older sister Emma (who sought out the meeting) and “little sister” Agathe—both now middle-aged—were close during a childhood marked by the death of their father and the increasing violence and drunkenness of their mother. The one constant source of security and affection during their formative years was their warm and caring paternal grandmother, Mima. After a five-year period of distance and alienation, the women fall back into old behaviors but relish the opportunity to be together, and in a place they both love. Telling the story through the women’s alternating voices and spanning the decades of their lives, Grimaldi deftly illustrates the emotional damage visited on them by both their unstable upbringing and the fragile nature of their renewed relationship. Emma, who assumed a caretaking role toward Agathe in the face of their mother’s abuse, has dealt with Agathe’s fragile mental health throughout their lives (until the point where the relationship ruptured). Her motivation for repairing their fractured relationship is slowly and subtly revealed—and is responsible for a classic tear-jerker ending. Agathe’s struggles with mental illness are sensitively handled, and Grimaldi respectfully reveals the stress this placed on Emma as well. The idyllic Basque setting sits in contrast to the sisters’ recalled heartaches but serves as a balm to their sentimental souls as they recall the nurturing affection Mima provided. Translated from French by Serle, Grimaldi’s account of two sisters taking stock of what’s brought them this far is affecting but smile producing as well.

A bittersweet slice of life.