by Viv Albertine ‧ RELEASE DATE: May 1, 2018
Not the cultural resource that her first memoir was, but still as brave and engaging in the writing.
In her second memoir, the influential rocker addresses life after punk.
Albertine’s publishing debut, Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys. (2014), earned widespread acclaim beyond music circles. Its unflinching honesty and street-wise feminism struck responsive chords as she recounted the formative years of British punk rock and her standard-bearing role in the Slits, a female band that demanded to be taken seriously within punk’s male-dominated hierarchy. Now that Albertine’s music career appears to be over—or is at least winding down—she has become a writer, with this second book required to follow the breakthrough success of the first. Here, the author dwells little on the music through which most previously knew her—and which she covered so well in her previous book—and more on her roles, mother, daughter, and sister, among others. As Albertine prepared for the book party to launch her memoir, she learned that her 95-year-old mother was on her deathbed, so she rushed with her daughter to be by her side. There, she joined her younger sister, with whom she was once much closer. The two engaged in a horrific battle at their mother’s bedside, a hair-pulling, blood-letting fight to the finish between two women in their mid-50s whose years of bottled-up tension was just waiting to explode: “ ‘You’re mad,’ said [sister] Pascal. She was right. I was mad. Completely insane. A deranged, murderous, certifiable, raging lunatic.” The narrative intersperses short paragraphs detailing the mother’s death as the sisters battled between slightly longer reminiscences about growing up together as their family was falling apart and how their mother did her best to keep them estranged from their father. Albertine also quotes at length from her father’s diary and her mother’s testimony on the dissolution of that marriage, which she discovered after the death of each, and which frequently contradicted each other (and sometimes her own memory). “Truth is splintered,” she concludes.
Not the cultural resource that her first memoir was, but still as brave and engaging in the writing.Pub Date: May 1, 2018
ISBN: 978-0-571-32621-1
Page Count: 304
Publisher: Faber & Faber
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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