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TO THROW AWAY UNOPENED

A MEMOIR

Not the cultural resource that her first memoir was, but still as brave and engaging in the writing.

In her second memoir, the influential rocker addresses life after punk.

Albertine’s publishing debut, Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys. (2014), earned widespread acclaim beyond music circles. Its unflinching honesty and street-wise feminism struck responsive chords as she recounted the formative years of British punk rock and her standard-bearing role in the Slits, a female band that demanded to be taken seriously within punk’s male-dominated hierarchy. Now that Albertine’s music career appears to be over—or is at least winding down—she has become a writer, with this second book required to follow the breakthrough success of the first. Here, the author dwells little on the music through which most previously knew her—and which she covered so well in her previous book—and more on her roles, mother, daughter, and sister, among others. As Albertine prepared for the book party to launch her memoir, she learned that her 95-year-old mother was on her deathbed, so she rushed with her daughter to be by her side. There, she joined her younger sister, with whom she was once much closer. The two engaged in a horrific battle at their mother’s bedside, a hair-pulling, blood-letting fight to the finish between two women in their mid-50s whose years of bottled-up tension was just waiting to explode: “ ‘You’re mad,’ said [sister] Pascal. She was right. I was mad. Completely insane. A deranged, murderous, certifiable, raging lunatic.” The narrative intersperses short paragraphs detailing the mother’s death as the sisters battled between slightly longer reminiscences about growing up together as their family was falling apart and how their mother did her best to keep them estranged from their father. Albertine also quotes at length from her father’s diary and her mother’s testimony on the dissolution of that marriage, which she discovered after the death of each, and which frequently contradicted each other (and sometimes her own memory). “Truth is splintered,” she concludes.

Not the cultural resource that her first memoir was, but still as brave and engaging in the writing.

Pub Date: May 1, 2018

ISBN: 978-0-571-32621-1

Page Count: 304

Publisher: Faber & Faber

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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